In this episode of the Adobe Creative Suite Podcast, Terry White shares 5 Tips for Adobe Muse users. Many of these tips are from the recent late February feature update. If you use Adobe Muse, you definitely want to watch this episode!
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See more of my Adobe Creative Suite Videos on my Adobe Creative Suite Podcast and get the App below. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App! My iOS App is a Universal App for iPhone, iPad and iPod touch. I also have an Android version on the Amazon App Store:
Lightroom 4.4 is now available as a final release on Adobe.com and through the update mechanism in Lightroom 4. The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom.
Changes to Existing Camera Support:
Lightroom 4.4 includes a correction to the demosaic algorithms for Fujifilm cameras with the X-Trans sensor. This specifically impacts the following cameras:
- Fujifilm X-Pro1 (*)
- Fujifilm X-E1 (*)
- Fujifilm X100S
- Fujifilm X20
(*) Based on user feedback, the default sharpening amount applied to Fujifilm X-Pro1 and Fujifilm X-E1 raw files has been increased between Lightroom 4.4 Release Candidate and the final Lightroom 4.4 release.
Lightroom 4.4 includes a correction to the demosaic algorithms for Fujifilm cameras with the EXR sensor. This correction applies only to raw images captured using the “EXR HR” mode with the following cameras:
- Fujifilm X10
- Fujifilm XF1
- Fujifilm X-S1
- Fujifilm S200EXR
- Fujifilm HS20EXR
- Fujifilm HS30EXR
- Fujifilm F550EXR
- Fujifilm F600EXR
- Fujifilm F770EXR
- Fujifilm F800EXR
Adjusted Nikon default white balance for the following camera models:
- Fix default aspect ratio support for Fujifilm X-E1 raw files.
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My shot of Kandice Lynn on the beach featured in the Spring 2013 issue of Oxygen Magazine.
As a photographer there’s nothing more complimentary than a major publication or company wanting to use your work to represent their brand or products. As “hobby” photographer that compliment goes up 1,000%. Photography has always been a passion of mine, but mostly a hobby.
My shot of Amber Berry featured in the Spring 2013 issue of Ambassador Magazine – Perfect 10
One of the ways that hobby pays off is when I’m contacted by a publication that wants to use my work commercially or when someone wants to buy my prints or usage rights of my work.
Westcott produced a 70 page show guide for the WPPI show using my images of Kandice Lynn, Lena, Aferdita and Briana.
Those are the times that make me feel like my work (which could always be better) is good enough to be considered “professional”.
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You might remember that back in December Adobe acquired Behance, the leading online social media platform that enables creative professionals to showcase and share their work with millions. We wanted to share some great news for our Creative Cloud complete members.
As of yesterday, Behance ProSite (normally $100/year) will be available at no additional cost for all paid Creative Cloud complete members. ProSite transforms a public Behance portfolio into a fully customized personal portfolio site with your own URL. You can design an incredible portfolio site that stays in sync with your projects on Behance, increasing your efficiency and helping your work get more exposure from Behance’s 18+ million visitors every month.
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photo by Shawn Lee
I got a few questions regarding my setup for recording my last Adobe Creative Now Tour Event.
Here’s what I used:
I did the presentation on my MacBook Pro 15″ Retina. I was connected to the 1080p in house projector via the built-in HDMI port. I had my Wacom Intuos 5 tablet plugged into one USB port and my Logitech C920 HD Webcam plugged into the other one. While the Mac has a built-in FaceTime HD camera, it’s only as good as the angle of your display. By using the C920 I’m able to put it on a tripod and therefore position it anywhere I want.
I always travel with both a MiFi and AirPort Express. This way I can create my own network either by using the venue’s ethernet cable or via 4G. This is important for when I show Touch Apps and DPS SE so that I can mirror both my iPhone 5 and iPad to the same screen as the audience is seeing AND being recorded with Screenflow. I used Reflector on the Mac to Airplay from both my iOS devices at the same time.
As my buddy Jason Levine would say “It doesn’t matter how good your video is, if your audio sucks no one will care about your video.” This means using either a really good USB tabletop mic OR a audio recording device. In Cleveland I used a Blue Yeti USB mic and the audio was good. However, I had a Zoom H4N on order that arrived in time for Detroit and I decided to use that instead since it has legendary audio quality. As a backup I had Screenflow recording from the built-in mic on the MacBook Pro since I hadn’t used the H4N before. The H4N records to an SD card in WAV format or MP3 at various quality settings. It uses 2AA batteries and can also be mounted on a stand/tripod. I mounted it onto a Gorillapod and set it on the table.
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As I begin to wind down the Adobe Create New Tour, I couldn’t help but notice that no matter what city I went to, the story was the same. While people generally knew about Adobe’s Creative Cloud, they often had misconceptions about it. I started each presentation explaining what Creative Cloud was and what it wasn’t. Since not every one can attend a Create Now event Live, I thought I’d debunk the Top 5 Myths about Creative Cloud that I hear the most.
#1 “I don’t want to run my Applications in a web browser!”
When people hear “cloud” they get visions of running applications in a web browser. While that may be the case with other cloud offerings, it’s not the case with Creative Cloud. Creative Cloud members download and install their Apps as Adobe customers always have. The Apps like Photoshop , Illustrator, InDesign and even the new app Muse runs from your Hard Drive, not from the cloud.
#2 ” I don’t want to have to be connected to the internet just to use Photoshop.”
Once we get past the fact that you download the Apps and install them on your hard drive, people still sometimes think that they need to be connected to the internet to actually run the Apps because they are Creative Cloud Apps. Again, this is not true. Your Apps not only install on your hard drive, but they also can very much run offline. You computer does have to connect to the internet once a month to verify that your membership is still current, but that’s it. Once that check has happened you can disconnect and run all of your Creative Cloud apps OFF-line.
Update as of 5/6/2013: You will need to be online when you install and license your software. If you have an annual membership, you’ll be asked to connect to the web to validate your software licenses every 30 days. However, you’ll be able to use products for 99 days even if you’re offline.
#3 “I can’t share files to my clients or colleagues unless they’re Creative Cloud members.”
With your Creative Cloud membership you get 20GBs of cloud storage. You can use this storage to sync files between your devices and access them via the Touch Apps like Photoshop Touch and Adobe Ideas. If you place files in your Creative Cloud folder on your hard drive those files will not only be accessible when you’re offline, but you can also log into creative.adobe.com and share them. Once you decide to share a file you can email a link to your colleagues or clients and they will be able to view your file in their web browser even if they’ve never heard of Creative Cloud or the Adobe applications you used to create them. They don’t have to create an account or register for anything. See my video on how to share files with Creative Cloud here.
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You probably already have this book (it’s the #1 bestselling book on digital photography ever), and if you like that book, you’ll love Scott’s brand new tour based on the book series! When I started to take my photography more seriously this was one of the 1st books I read from cover to cover. It certainly filled in a lot of gaps for me and I learned a ton.
If you don’t have the book, here’s the link (you’ll love it!).
He also wrote three bestselling follow-ups to the book, Volumes 2, 3, and 4 (all different content).
Well Scott is about to kick off a tour that is based on his Digital Photography Book series (and is taught by Scott himself).
Here’s the link for more info on the tour. Even if you can’t make the tour, you should definitely check out all four books. They also come packaged as a set here.
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You might remember that I recently reviewed the NEW Westcott Rapid Box 26″ Octa softbox. In that review I actually put together the items that I would travel with to do a portrait shoot. Well it seems that Westcott and B&H liked it so much that they honored me by naming it after me. Introducing the Westcott Terry White Travel Portrait Lighting Kit! How cool is that? I remember when B&H did this for Scott Kelby back when he was touring with his Light It, Shoot it, Retouch it Kit. I know what some of you are thinking so let me address your question now. Nope I’m not getting a single dime from Westcott. Nada! Zip! Zilch! I recommend products here because I use them, not because I get paid to promote them (with the exception of Adobe of course since that is my employer/day job). The point of this kit is that I now have a single URL to refer people to when they want to know/buy my setup rather than having to send them 4-5 different links. From what I heard, some of my readers even printed out my review and took it the WPPI show and shopped with it at the show.
The only thing that the kit doesn’t include is the speedlight. The reason for that is that B&H would have to create several separate SKUs for each manufacturers speedlight and it’s just easier to tell people to use whichever speedlight they want or in most cases already have.
The Kit Includes:
1 Westcott Rapid Octa 26″ Box
1 Westcott X-Drop kit “white” background
1 lightstand to hold the Rapid Oct and your speedlight
2 Pocket Wizard PlusX Transceivers
I’m also happy to announce that B&H has marked it down as an introductory offer taking $25.95 off the price. You can check the kit out here.
It’s quite an honor as a photographer to recognized by both Westcott and B&H and I thank everyone for your support and being a fan of my work. See more of my gear here.
If you didn’t get a chance to make it to one of the Adobe Create Now World Tour stops, you can see it here (below). I just did my last full stop last night in Livonia Michigan before heading to Semi-Permanent LA this week. We had a great crowd and great event. Knowing that this would be my last stop on the tour I decided to record it and share it with my fans. I’ll post event photos from Cleveland and Livonia soon:
I’ve talked about and raved about the Lightroom Plug-ins from The Turning Gate here before. I use their Lightroom Plug-ins to build and maintain my photography website. I also use their awesome Client Response Gallery to provide my clients proofs via the web. I’ve been in contact with the developer on many occasions and I often beta test and give feedback on what he’s planning next. There was one plug-in though that caught me completely off guard. It isn’t often that something comes along that revolutionizes my entire workflow! The new TTG CE3 Publisher has done just that!
The old process of updating my galleries
I maintain my web galleries in Lightroom as Collections. So I have a Fashion Collection, Travel Collection, Beauty Collection, Fitness Collection, Recent Work Collection, etc. When it comes time to update one of those Collections, the process in Lightroom is very easy. Just drag in new images and delete old images. It takes all of a few seconds to do it. After updating the Collection then the time would come to update my website. This would involve a trip to the Web module and selecting one of my Gallery presets. This would choose the appropriate TTG gallery and restore all my settings for color, styles, text descriptions, etc. Great so far! Now I would either hit the Upload button in Lightroom or the Export button so that I could upload via my own FTP client. While this procedure wasn’t hard, it was time consuming. Each time you update a web gallery in Lightroom, Lightroom has to upload the entire gallery and all of the images from scratch. It has no way of just adding the new images and deleting the old ones.
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