Tuesday Tidbits

I have 3 tidbits for today:

Apple is slated to unveil iPhone 3.0 today

Apple is holding a press conference today to unveil their newest iPhone OS. Nothing is for certain and the rumors are sure flying about what’s going to be in it. So far I haven’t heard anything too exciting. Sure, Cut, Copy, and Paste would be welcomed, but that’s hardly worthy of a full dot release and press conference. So I have to imagine that there are going to be some features that no one is thinking/talking about. I’ve give my take on what they announce after they announce it.

Check out Scott Kelby’s Review of the New Elinchrom BXRI-500 Strobes

My buddy Scott Kelby has posted a review of Elinchrom’s new midrange strobes. As an Elinchrom 600RX owner, I’m very interested in these because they have the Skyport Wireless system built-in. Although I’m totally happy with my two 600RXs, I would consider getting one BXRI-500 as a 3rd light. Scott recorded a cool short video showcasing the new system. Check it out here.

Spend “An Evening with Terry White” tonight!

Happy St. Patricks Day! Tonight’s the night that I will be doing a live Photoshop Essentials demo via the web. Check out the details here.

Spending an afternoon with the Nikon Coolpix P6000

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My users group gave away a new Nikon Coolpix P6000 at our meeting over the weekend. Before we gave it away, I got a chance to try it (test it to make sure it was a good prize 😉 ) out for the afternoon. I must say that this little camera packs quite a punch. I would guess that this is Nikon’s answer to the Canon G9/G10. This camera is aimed at people that want the best possible quality and feature set that they can get out of a point and shoot camera and just short of a DSLR. This is also the same camera that Phil Shiller showcased during his Macworld Expo Keynote address as being one of the new cameras with a built-in GPS. That feature is key to the new “Places” feature in iPhoto ’09.

Nikon vs. Canon

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Without turning this into a Nikon vs. Canon fight (does anyone ever win those anyway?), let me start by saying (again), that I use both. I have Nikon professional DSLRs and Canon point and shoot as well as Canon video equipment. So spare me your my side is better than your side arguments. They’re both good! I’ve just always been drawn to Nikon gear on the DSLR side and Canon gear on the portable/consumer side. When I’m not shooting with my Nikon D700 or D300, I’m using my Canon ELPH 850IS. The problem is that I can’t remember the last time I used it. Not that the Canon is not a great point and shoot camera, the problem is that I’m just using my DSLR more and more. I take it with me when I travel. I use it more on the go than I thought I ever would. The ELPH is nice because it stays in my computer bag at all times. I always have a camera with me.

Why don’t I use the point and shoot camera more?

That’s the real question! I’ve become a control freak. I want complete control over the settings in my camera. While point and shoot cameras do offer manual control, it seems that these options are often buried and not easily adjusted on the fly. Let’s face it! Point and shoot cameras are aimed at people that just want to….. wait for it…… point and shoot! The Nikon Coolpix P6000 changes all that by offering me the same controls I have on my DSLR. As a matter of fact the control dial has basically the same exact settings as my bigger cameras. Also once I’m in manual mode I can easily adjust Aperture and Shutter speed with the jog dial on the back. The other reason I don’t use my point and shoot more is because I really like shooting in Camera RAW. I know that this could easily start another fight/war. So again, if you love JPG and see no reason to use RAW, great for you!

I do see advantages to using RAW and you guessed it the P6000 does have a RAW shooting mode. The next reason for the lack of P&S use is probably the big one that’s not easy to overcome and that’s the great lenses that I have. No easy out for the P&S cameras there. However, the trade off is the P6000 can fit in my pocket. The DSLRs can’t!

The P6000 in action

One of the key features of this model is the built-in GPS for Geotagging. This was actually the most interesting feature to me and probably the only other one (besides RAW support) that would even make me think about upgrading my P&S camera. So I went out to run some errands with P6000 in tow. The minute I walked outside, I fired up the camera (I had already turned the GPS feature ON) and I wanted to see how long it would take to aquire a satellite signal from a cold boot. It took about 1 minute 30 seconds. Certainly not the fastst time in the world, but not unbearable either. I then turned the camera off and drove to my first location. I turned the camera back on when I got out of the car the sat aquistion took only about 33 seconds this time. Much better and about the norm. One word of warning though, other reviews I’ve read warned about excessive battery drain with the GPS turned on. While I’m sure having the GPS on does take more power, I didn’t notice any signficant battery drain. However, keep in mind that I only used this for a few hours on a Saturday. The other thing that makes me chuckle is when people complain about the GPS not working well indoors. All I’ll say to this is, ur um DUH! I wouldn’t expect any GPS to work to well indoors! The complaint about it not working well around tall buildings in an urban environment is more of a valid complaint. However, I see that same complaint about most post portable GPS units. I did notice about a 60 second sat acquistion on a downtown street as opposed to 30 seconds, but it did work.

I took some shots in RAW and JPG. There’s a nice indicator right on the BIG LCD screen that lets you know when you have sat signal. There’s no mistaking it. I just had to assume that it was working. When you go to the GPS setting in the camera, you do see the current longitude and latitude. Also when you review the images you’ve taken, the GPS icon will be lit on the LCD if those images contain GPS data. I of course would have no way of knowing if the location was accurate until I got back to my computer.

Speed or not so much speed

Shooting in JPG the speed of the camera was as good as any other point and shoot camera I’ve used. No complaints there. However, shooting in RAW was a different story. There is a noticable lag from the time you press the shutter until you can take the shot while it clears the buffer. This lag was about 3-5 seconds. Yes, even with a fast SD card. So if you’re going to use this camera to shoot in RAW, you’re not going to be shooting anything with fast motion like sports. For portrait or landscape work you’ll be fine.

Overall

I was pleased with the image quality of both my RAW and JPG files. The RAW format is not the standard NEF format that is common amongst Nikon DSLRs. It’s actually NRW. Apparently this is a RAW format specfically aimed at the Coolpix line of cameras. To be honest, I don’t really care what the extension is as long as it’s supported in Adobe Photoshop Lightroom and Adobe Camera RAW and it is! I brought my shots into Lightroom with no problem. I even converted one of the NRWs to DNG with with no problem.

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The JPEG above actually has the GPS data in it.

I then checked out the GPS data in Lightroom using the Google Maps integration and here’s where it took me. It wasn’t dead on, I was standing about 30 feet from the spot pin pointed on the map, but that’s actually within acceptable parameters for GPS units in general. It may be a little less accurate than my di-GPS Pro, but certainly still usable.

The Bottom Line

If there was a situation where I couldn’t or didn’t want to take my DSLR, then this would be my camera of choice. I like the size and I’m comfortable with the controls. Also the hotshoe should be compatible with my Nikno speedlights, Pocket Wizards, etc. I do wish the RAW capture speed was faster and since I’m in no hurry for a new P&S camera, I may wait for the next rev. My only other complaint with this model is that it comes with a AC adapter that plugs into the camera to charge the battery. I would much rather have an external battery charger (like the ones that have always come with my Canon ELPH cameras) so that I can charge one battery while shooting with another. I’m sure that there’s probably another charger out there that does this, but I would have liked to have seen it in the box. Also at the $499 asking price, I would definitely expect it! Lastly the camera comes with an Ethernet port built-in. I didn’t even bother with trying this out because everything I read was that this is for uploading your pictures to Nikon’s Picture Town sharing site. While that’s all fine and good, if you’re going go through the trouble of putting a high speed ethernet port on your camera, let me use it for other things like a super fast way of downloading my images to my drive or uploading them to other sites beside the Nikon one. I should also mention that this camera does record video and audio too. It does 640×480 video at 30fps. I did not get a chance to test this. However, I did test the voice annotation feature and it worked great! That’s pretty much it! I only had one afternoon with this camera and it does what it claims to do.

The Nikon Coolpix P6000 13.5MP, 4x Wide Angle Optical Zoom with Vibration Reduction. See the full specs here. Also Amazon has it now for only $357! The price seems to vary daily.

What an honor. Thank you Westcott!

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As a photographer, I can’t think of a greater honor than to have an internationally recognized lighting equipment company come to you and say “we would like to use one of your images for our 2009 catalog!” As you can probably imagine I just about fell off my chair when I received that very email from F.J. Westcott. You’ve heard me tout Westcott Spiderlites in the past and I’m a big fan of many of their products. Just yesterday in my post about the Joby Gorillapod Focus, I used a Westcott collapsible background for that shot.

Of course my answer was YES! I’ve been on pins and needle ever since and I just got the final version of the spread. My image is the one in the lower right corner. Westcott said that they used 100% Raw Talent in this year’s catalog. I’m very honored and just flat out tickled to be a part of that talent pool.

A PDF version of the full 2009 FJ Westcott Catalog is here. I look forward to grabbing a huge supply of these babies at Photoshop World in a couple of weeks. There’s a small room in my house that needs wallpapering 🙂

Joby’s Gorillapod Focus for the Big Jobs

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I’ve been taking my Nikon D700 or D300 with me on all my recent trips. I’ve also started traveling with more lenses and bigger lenses. One of my favorite lenses to shoot with is the Nikkor 70-200mm f/2.8 VR lens. As you know I’m a fan of the Gitzo Traveler Tripod. Although as small and lightweight as it is, I don’t always have room for it in my luggage. This is what led me to using my Gorillapods more. Although I have the Gorillapod SLR, which is a great tripod for travel, it’s just not quite sturdy enough or strong enough for my bigger lenses as it only supports up to 1.75 pounds.

The Gorillapod Focus to the rescue

The Gorillapod Focus is the top of the line Gorillapod. It’s their professional model. It’s geared specifically for large cameras with large lenses. It’s rated at supporting up to 11 pounds. This puppy is solid! I could tell a difference right away when I took it out of the box and started adjusting the legs. As you can see in the above picture it has no problem supporting my Nikon D700 with the battery grip, Kirk L-Bracket and Nikkor 70-200mm lens. I’ve found it to be quite flexible in adjusting positions as long as you keep the feet pointing down. I took that shot with the Focus on my conference table and when the feet were at an angle they tended to slide on the slick surface of the table.

Although the Focus is not as small as the Gorillapod SLR, it’s smaller than the Gitzo. This means that it’s more likely to make its way into my carry on bag than any other tripod I own.

The Bottom Line

The Joby Gorillapod Focus is a nice blend between size, versatility and support. Although it is more costly than the other Gorillapod models, it’s much cheaper than the more expensive carbon fiber tripods by other manufacturers. It’s also great for video cameras. The Gorillapod Focus goes for $109.95 on the Joby site. Amazon has the Gorillapod Focus for $92.14.

Also be sure to check out my video interview with the Gorillapod product manager back at Macworld Expo.

Adobe Updates Lightroom to 2.3 and Camera RAW to 5.3

Both Adobe Photoshop Lightroom and Camera RAW get updates with support for the latest and greatest cameras and bug fixes.

Lightroom 2.3 (Mac|Win)

New in Lightroom 2.3

Newly Supported RAW File Formats:

  • Nikon D3X
  • Olympus E-30
  • Plus unofficial RAW support for the recently announced Epson R-D1x camera

The goal of this release is to address bugs that were introduced in previous releases of Lightroom 2 and provide additional camera raw support. A comprehensive list of issues fixed in this release is included below:

Lightroom 2 Bugs – Fixed

  • In the Windows 64-bit version of Lightroom an sFTP upload process could cause Lightroom to crash.
  • Slideshows could return to the first image randomly during playback. (ouch, I got bit by this one during a family reunion presentation!)
  • A memory leak could cause Lightroom to crash while attempting to process files with local adjustments.
  • Canon EOS 5D Mk II sRAW files could process with artifacts in Lightroom 2.2.
  • Lightroom 2.2 could cause disc burning to fail for Windows customers.
  • Attempting to undo(CTRL-Z) a single step in Lightroom 2.2 on Windows could cause a series of previous actions to be undone.

Photoshop Camera Raw 5.3

Adobe applications must be updated with the Camera Raw 5.3 plug-in in order to ensure compatibility with Lightroom 2 develop module settings and Photoshop integration features. Photoshop CS4 users can update the Camera Raw plug-in automatically using the Update tool listed under the Help menu. The Camera Raw 5.3 plug-in can also be downloaded and installed manually by visiting the Adobe web site. Please follow the installation instructions carefully.

Tips for Nikon DSLR and Adobe Creative Suite 4 Users

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Nikon D-Town

There are two hot new resources I wanted to make you aware of.  First off, my buddy Scott Kelby has just released a new weekly video podcast show called “Nikon D-Town.” This show is aimed at Nikon DSLR camera users. It’s co-hosted by Matt Kloskowski and airs each Thursday starting today! Each episode will be geared towards Nikon shooters so that they can get the most out of their gear. As a Nikon shooter myself, I can’t wait to check it out! Check out Nikon D-Town right here.

“Everyday Timesavers” now on Adobe TV

Next up, the Adobe evangelists have started a series called “Everyday Timesavers”! If you’re a Adobe Creative Suite 4 (CS4) user and you want to get the most bang for your buck, then being more productive with the software is going to yield a greater ROI for you. Check out Everyday Timesavers on Adobe TV right here. New videos are due to go up every week and of course they’re free to watch.

Terry White Recommends…

I have fun reviewing technology and gadgets. Now that I’ve been running my blog for a few years, it occurs to me that new readers may not have seen some of my earlier posts. I also get asked by friends and relatives all the time to recommend my top choice in any given category. I do this formally once a year in my Holiday Gadget Gift Guide, but that doesn’t really help you much when you want recommendations throughout the rest of the year. So I’ve put together my own Terry White Recommends aStore. I will constantly update this site with any new recommendations that I have. These are products that I either have first hand knowledge of or use on a very regular basis. I have no paid sponsors, so these are products that I simply feel are great!

The Tripod Police Strike Again!

Professional photographers are increasingly being harassed for, you guessed it – taking pictures. It amazes me that in most of these situations, if you pulled out a point and shoot camera or a cellphone camera and took a picture, no one would give you a second look. However, pull out a DSLR or gasp, a tripod and you will be tackled in a matter of minutes. Now don’t get me wrong, I totally get that there are certain locations that are off limits for photography such as government installations, etc. I also get that tripods do pose a safety (tripping) hazard. However, there seems to be an increase in the amount of harassment that goes on especially if you appear to have professional gear.

 

Here’s a humorous look at the situation where an Amtrak photographer gets NAILED!

Macworld Expo: Joby Gorillapods

I’ll be posting some video updates over the next day or so of cool things I’m checking out here at Macworld Expo. I’m going to start with a product I’ve been meaning to review here. It’s the Joby Gorillapod SLR. Although this is a great portable, travel tripod for your Digital SLR, I found out today that it has some other cool uses. Check it out!

Lastolite Triflector MkII

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Although I’m not big on getting gifts on holidays, I did get one very cool gift. I got the Lastolite Triflector MkII. This handy compact unit comes with two adjustable side arms and three reversible (white/silver) panels that easily and quickly attach. Once setup (less than 5 minutes) the whole thing sits on a light stand (not included).

 

Why use a tri-flector?

If you do any type of beauty or fashion photography, a tri-flector gives the ability to light your subject from underneath and from the sides without the need for additional lights. It also provides some very distinctive catch lights in the eyes. By putting it on a light stand you can adjust the hight to your taste. Your subject/model can either stand or sit depending on your needs. In my setup above I used the Nikon D300, 70-200mm f/2.8 VR lens (shot 125th/sec f/8.0), Elinchrom 600RX (triggered with their awesome Skyport system) with a midi-octa softbox and the Lastolite Triflector MkII on a small light stand.

 

I used the above setup to produce this shot:

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The interesting thing about the Lastolite Triflector is that it’s not easy to find. I never saw it at any of my usual sources for photography gear. However, it is available here at Adorama. Oddly enough Adorama doesn’t show the included stand or carrying case. However, I did a search for their SKU# LSTLPKWS (which is on my packing slip) and that’s the one that comes up. Pay no attention to the picture. It’s the right one. If you shoot portraits, beauty or fashion, you’re gonna want one of these!

Makeup by Renata.