Web conference with BRIO for Free

More and more people are wanting to share ideas and and concepts without having to physically drive or fly to where their clients, colleagues or friends are. Typically web conferencing systems are reserved for business use and well, out of the reach of smaller shops, consultants and individuals. Adobe hopes to change all that with a new FREE service code named BRIO. One of Adobe’s best kept secrets is Adobe Acrobat Connect Pro which is a full fledged conferencing and eLearning system for business and education. BRIO is based upon the same technologies (Flash) and aimed at getting people to experience web conferencing first hand without the up front costs and infrastructure.

 

How could I use this?

As we all know it’s sometimes (most times) easier to show someone something rather than trying to explain it over the phone or via email. Once you set up your BRIO account you get a static URL to your meeting room. You login to your room and invite up to two other people. Once all 3 of you (or 2 of you) are in the room, you can then share your screen and the other folks see exactly what you’re doing in real-time. Although you’re limited to 3 paricipants in your room at once, that doesn’t mean that those participants have to be alone in their physical rooms. This could be 3 conference rooms full of people all watching on a big screen.

This would be a great way to show your client the work you’re doing without actually having to give them the files just yet. You can show the actually apps you’re working in, slides or whatever you want. Not only can you share your screen, but you can upload files for them to download (we all know how hard it can be to send email attachments through corporate firewalls right?). It gets better, your BRIO account comes with the ability to use your webcam to broadcast your live video. You also get VoIP AND a teleconference number to boot. Although the teleconference number is not toll-free (ie. it’s a long distance call), it is free to use. So if you don’t have the bandwidth or microphone setup to do VoIP, just have your folks dial in to the conference on their phones. In addition to screen sharing, webcam video, and VoIP, there’s also whiteboarding and even the ability to request control of a meeting participant’s computer so that you can not only show them how to do something, but you can do it yourself while they watch.

 

Yes, it really is FREE

Although your BRIO account is in fact FREE, there are some limits compared to the full Connect Pro product. In the full Connect Pro product you’re not limited to just 3 participants. You can also setup multiple meeting rooms, you get multiple room layouts to choose from, the ability to upload video content that plays back through Connect Pro, record meetings and host of other features. However, for just starting out and for smaller meetings, you just can’t go wrong with BRIO. Also keep in mind that BRIO is cross platform and doesn’t require your participants to download or install anything. They likely already have what they need to watch the meeting in their browser, the Adobe Flash Player!

 

OK, nothing’s free, what’s the catch

Yep, you caught me! You’re right, there is some angle. There must be! Well, it’s true. OK, here goes. It’s FREE! I know, I know, but it is. The only catch is that Adobe hopes that by trying this FREE version out, you’ll get so hooked that you’ll want more and you’ll want to step up to the full version of Connect Pro for your business or organization to get rid of the limits. However, you’re not obligated to do so. So you have nothing to lose. Account setup is painless and if you already have an Adobe ID, it takes about 1 minute to set up your BRIO account.

 

Um, so what are you waiting for? Go create your FREE BRIO account and meeting room today and give it a shot. Show off that cool work you’ve been doing. You’ll look so good to your clients this way.

Shooting tethered just got easier

I’ve been doing a lot more studio shooting lately and the one thing I’m addicted to (besides pretty models) is shooting tethered into Adobe Photoshop Lightroom. Although my new Nikon D300 has a nice big LCD screen on the back, it pales by comparison to the 15" display on my MacBook Pro. So I like to see the shots as I take them on the laptop screen so that I can make adjustments to lighting, exposure, etc. as I go. This way my shots bypass the camera’s memory card and download right to my hard drive of choice. My setup involves the D300, a long amplified USB2 cable, Nikon’s Camera Control Pro 2 software, which by the way supports the new Live View feature of the D300/D3. However, I think this app is still way overpriced! (Canon shooters, just use the software that came with your camera – It’s free) and of course Adobe Photoshop Lightroom. This setup has been working just fine.

However, what I got (after reading Joe McNally’s blog) was this Bogen-Manfrotto Double Head Accessory Arm and Gitzo Laptop tray that sits right on my tripod. I had been using a somewhat flimsy portable stand or whatever surface was nearby for the laptop to sit on. The problem was that I was always having to stoop down to see the screen. This NEW setup on top of my tripod puts everything at eye level. The difference is night and day in my productivity and speed. So I want to thank Joe for turning me on to this solution. It’s been working great.

Back to editing…



Check out Dennis’ redesigned blog

I just thought I would take a moment to let you know about Adobe’s Dennis Radeke’s newly redesigned blog. Dennis focuses on Adobe’s Dynamic Media/Video and Audio products and his blog, The Genesis Project focuses on tips and tricks for beginners using After Effects and Premiere Pro. Check it out here. Also check out the rest of the Adobe bloggers here.

Fujitsu ScanSnap S510M

One of my goals this year is to have less paper clutter (yeah I know, but I can try). I have been hearing rave reviews on the Fujitsu ScanSnap from my colleagues at Adobe (Noha Edell recently raved about it to me and my my buddy Chita Hunter reviewed a different model in MacGroup’s newsletter back in 2005). I saw this scanner in action a couple years ago at Macworld Expo and always had it in the back of my mind. I recently ordered one (which is on the way). However, I just read Adobe’s Adam Pratt’s review on it and it got me all excited all over again.

The Fujitsu ScanSnap S510M (The M is for the Mac version) goes for $425 ($495 list) and includes a full version of Adobe Acrobat 8 Professional. It scans in color or B&W and does two sided scanning of stacks of paper. It automatically converts the scans to PDFs and from what I hear it’s blazing fast! Check out Adam’s review for more.

Mac OS X Leopard 10.5.2 is out!

This will be old news to many of you, but yesterday Apple released Mac OS X 10.5.2 with a slew of fixes. Most notable for my Adobe CS3 and Lightroom users are important fixes that Adobe’s Photoshop Product Manager John Nack details here. When Leopard was announced Adobe announced that Adobe Creative Suite 3 was compatible with a couple of exceptions. Most notably the Adobe CS3 Production Premium products and Acrobat 8 Professional. The Production Premium updates came out on scedule in December and that suite is now Leopard compatible and the Acrobat 8 Professional 8.1.2 update came out last week. So now CS3 is completely compatible with Leopard. The water is safe!

Adobe Photoshop Elements 6 for Mac

Adobe has officially announced Photoshop Elements 6 for Macintosh. This new version is the Universal Binary version (native to both Intel and Power PC based Macs) that Mac users have been waiting for. I’ll be showing this new version at Macworld Expo next week and who knows, if time permits I may even record a sneak peek podcast before then on my Adobe Creative Suite Podcast. So stay tuned. In the meantime, check out all that’s new here.

This new version is slated to ship early in the second quarter of 2008 and will sell for $90 ($70 upgrades).

Ain’t no party like an Adobe 25th Anniversary Party

Last night Adobe celebrated its 25th Anniversary with a BIG party for the employees! Wow! What a night. Not too many high tech companies can come close to the success of Adobe and we at Adobe have a lot to be thankful for. We’ve had good times and we’ve had bad times. Last night we reflected on the company’s 25 year history.

partying with a couple thousand of my closest friends

 

Everyone in the room was upbeat and having a good time. The mood and the party got even better when Adobe’s founders John Warnock and Chuck Geschke took the stage!

John and Chuck reflected upon the early days and how they never imagined (back then) that Adobe would be what it is today. It was truly an honor to be in the company of these two Silicon Valley pioneers/inventors.

 

Adobe’s new CEO Shantanu Narayen took the stage and offered a toast to all of us and to our continued success!

There was also a surprise guest…

Smash Mouth rocked the house for the rest of the night!

I got a chance to spend a little time with some of the great people that I admire:

 

Adobe co-founder John Warnock (a true visionary – the inventor of PostScript) and Terry White

 

Adobe co-founder Chuck Geschke and Terry White

 

Adobe CEO Shantanu Narayen, Terry White and Adobe’s former CEO Bruce Chizen

 

Photoshop product manager John Nack & Terry White

 

Marianne & Adobe’s Sr. Creative Director, Russell Brown

 

Mo & John Warnock

 

Addy, Fred, Julieanne Kost, & Chuck Geschke

 

of course no Adobe event would be possible without a little Acrobat….

 

Like I said, it was a great night! I’m looking forward to the next 25 years and the innovations yet to come from this fantastic company and the people that work here! Thank you to all the customers who buy Adobe products (and keep me employed 😉 )

Nikon D300 + N2 di-GPS = FUN!

I have really been enjoying my New Nikon D300 camera and there really isn’t anything that I don’t like about it. It’s FAST, takes incredible shots and has all the bells and whistles that I’ve always wanted. Although the Nikon D300 doesn’t have a GPS unit built-in, it does now feature direct support for one and there is even a GPS menu on the camera itself. I bought the N2 di-GPS which works directly with select Nikon & Fuji DSLRs. It arrived this week and it wasn’t until yesterday during lunch that I got a chance to take it out for a spin. The first thing I said to myself when I opened the box was, “wow, this is much smaller than I imagined!” It’s not much bigger than a pack of gum. Very lightweight and easy to travel with. Although it’s designed to sit on the hot-shoe, it’s doesn’t have to. The integrated mount will also attach to the camera strap. There is no battery in it as it gets its power directly from the camera via the cable that attaches to the D300’s 10 pin remote terminal.

GPS menu built-in to the New Nikon D300 and D3

 

Once you connect the cable, there is only one switch on the device and it switches from OFF, to Auto, to ON. Do I need to explain OFF? Didn’t think so. In the Auto position the GPS unit will turn on and off with the camera. This will probably yield the best battery life. However, each time the unit is turned on with the camera in this mode it will have to potentially acquire the satellite signal again. In the ON position, it stays on and connected to the GPS satellites regardless if the camera is on or not. Of course this will ultimately drain the camera’s battery faster. I recommend the ON position if you are shooting, then moving then shooting again. If you’re going to use it off and on throughout the day, then Auto is probably best. From a cold start it took about 15-20 seconds to acquire a GPS signal. There is a clear indicator right on top that flashes red when it is searching and stays solid red when it has locked on (Sony could learn from this!).

After connecting the N2 di-GPS and turning it on I was ready to shoot. The beauty of this unit is that the GPS information (longitude and latitude) is inserted right into the metadata of each shot as you take them. No need for post processing when you return to your computer. Since I use Adobe Photoshop Lightroom I can take advantage of this data instantly by clicking the little GPS button in the metadata panel which will automatically take me to the location that I was shooting in on Google Maps.

 

I took this shot at the New Partridge Creek Mall here in Michigan.

 

When I look at the image above in Adobe Photoshop Lightroom, I can see the GPS coordinates in the metadata panel

When I click the little arrow to the right of the GPS coordinates, Lightroom takes me to my browser and automatically loads those coordinates in Google Maps for me (you can click the image above for the same experience).

The interesting thing here is that apparently this map hasn’t been updated yet because it doesn’t show the mall on the satellite view 🙂 The mall was just completed and opened in October 2007.

I found the accuracy to be decent, but not great. What I mean by this is that it seems to take few moments to update once you’ve moved. I took some shots just walking around my yard and when I got back to the computer, although I had moved, a couple of the shots were still showing the coordinates from shots taken a few moments earlier. One shot showed that I was in my neighbor’s yard.

 

Here’s a shot I took in my backyard. OK, I’m kidding, this was taken at the Partridge Creek Mall. Normally I would have stepped back to get the whole tree, but there were two security guards waiting to tackle me if I even thought of pointing my camera at a store display (which is frowned upon at most malls).

This shot was taken maybe 50-60′ from the Apple store shot above.

 

Bottom Line

If you want to do some geotagging and map all the places that you shoot and you have one of the supported cameras, you can’t go wrong with this GPS unit. It’s painlessly simple to use and integrates beautifully. The N2 di-GPS goes for $238+$45 S&H. So it’s not cheap (neither are the cameras it supports), but if having GPS data automatically inserted into your images is your thing, this is the one for you.

Supports Nikon D3*, D300*, D2XS, D2X, D2HS & D200, Fujifilm S5 Pro.
*Nikon added new GPS function to D3 and D300. The new function resolved the battery drain issue. The new option in the menu let the user to select the metering system to stay on or auto off when GPS data is received to reduce the power consummation.

Also see my review on the NEW di-GPS Pro!



Adobe Photoshop Lightroom 1.3, Camera RAW 4.3, Photoshop CS3 updates

The Adobe Photoshop engineering team has been quite busy over the past few weeks (months) and has just released a slew of updates:

 

Adobe Photoshop Lightroom 1.3

This is the update you’ve been waiting for if you are on or going to Mac OS X 10.5 Leopard or if you were in the market for one of the hot new DSLR Cameras. Not only do we get improved Leopard compatibility but we also get native camera RAW support for the following cameras:

Canon EOS 1Ds Mark III
Canon PowerShot G9
Nikon D3
Nikon D300 <- OK sign me up!
Olympus E-3
Olympus SP-560 UZ
Panasonic  DMC-L10

Adobe is first to market (again) with support for the RAW format of the Nikon D3 and D300! The applications also now support the sRAW format produced by the Canon 1D Mk III, 1Ds Mk III, and 40D.

Also Adobe has released a Preview of the Lightroom Export SDK (available on http://labs.adobe.com). This will allow developers to create some really cool workflows. Think direct export to Flickr, Smugmug, FTP Hosts, etc.

 

Adobe Camera RAW 4.3 and the DNG Converter 4.3

If Lightroom is not your thing, but you are a Photoshop CS3 user then you’ll get the same camera RAW support as Lightroom in these updates.

 

Adobe Photoshop CS3 10.0.1& Bridge CS3 2.1.1

The most significant fixes in the Photoshop 10.0.1 update include the following:

A crash that could occur when Microsoft Intellipoint software is installed has been fixed.

  • The speed of moving objects contained within multiple layer sets has been improved.
  • The speed of closing large documents has been improved.
  • Converting images to CMYK using certain profiles no longer results in black files.
  • A crash that could occur when saving a 4-bit BMP file with 16 or fewer colors has been fixed.
  • The Save for Web feature now includes an option to “Include XMP” (metadata) in the settings menu within the main Save for Web interface, making the existing capability easier to access.
  • When using Save For Web with “Include XMP” enabled, all XMP data is now included in the optimized file.
  • A problem that could cause the incorrect printer to appear within the print dialog box has been corrected.
  • Images no longer print with odd-sized margins on various Epson printers, or print smaller and off-centered.
  • Printer settings in Windows® are saved with a document while that document is open. If a document has not had Page Setup settings applied to it, the document will get the previous page setup used during the current session of Photoshop.
  • Photoshop now turns off Windows ICM (system color management) when “Photoshop Manages Colors.”
  • Print color matching has been improved.
  • A problem that caused certain laser printers to show distortions when printing to a nonsquare resolution has been fixed.
  • Images saved as DICOM and reopened in Photoshop CS3 are no longer corrupted on PowerPC® based Mac computers.

The Adobe® Bridge CS3 2.1.1 update includes the following fixes and enhancements:

  • A new preference to enable High Quality Preview has been added to Bridge’s Preferences > Advanced panel. When enabled, the preference addresses the problem of a soft or blurry preview appearing in the Preview panel and in Slideshow mode.
  • Data loss that could result from replacing a folder with another folder by the same name has been prevented.
  • Issues that could cause Bridge to crash (for example, when encountering a PDF or AI file) have been corrected.
  • A problem that could cause Bridge to lock up when using arrows to navigate has been fixed.
  • XMP data is now handled correctly when added to CR2 files.
  • A problem that could cause the Loupe tool not to be available after exiting from Slideshow mode has been corrected.
  • Rapid clicks to select multiple files are no longer interpreted as a double-click, so unintended opening of multiple files is now reduced.

All of the updates above are available for download from adobe.com and should be available through the Adobe Updater.

 


The 200th Episode of the Creative Suite Podcast

Time flies when you’re having fun! Not long ago I posted an entry to celebrate a major milestone of the Adobe Creative Suite Podcast hitting Over 5 Million Downloads. Well today I’m very pleased to announce that we hit our 200th Episode! That’s right, there are now 200 episodes of the Adobe Creative Suite Podcast (with yours truly as the host) available for your viewing pleasure. These episodes cover just about every aspect of the Creative Suite and with more episodes to come.

Today’s episode is done by special guest Kevan O’Brien, the rock star from the Creative Suite 3: Creative License Tour and he details "The Making of the Johnny L Episode" in which he uses the latest and greatest Panasonic P2 camera and new editing capabilities in Adobe Premiere Pro CS3.

I’ve had a blast doing this show and the response has been phenomenal. This grass roots effort has reached thousands and thousands of viewers world-wide and many of you have walked up to me at tradeshows and seminars to tell me how much it has helped you in some way. Truly it is your continued support that keeps me motivated in doing these. So thank you!

Subscribe via iTunes for FREE or watch on the web.