3 Tips for Shooting Tethered into Lightroom 5

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In this episode of Adobe Creative Cloud TV, I’ll share at least 3 tips that will make your life easier while shooting tethered with Lightroom 5. Get a long USB tethering cable here.

Are you missing out on my Bonus Content?

See more of my Adobe Creative Cloud Videos on my Adobe Creative Cloud TV and get the App below. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App! My iOS App is a Universal App for iPhone, iPad and iPod touch. I also have an Android version on the Amazon App Store:

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Photoshop for Photographers Program

photo by Victoria Pavlov
photo by Victoria Pavlov

One of the things you may have overlooked in the midst of all the Creative Cloud announcements on June 18th was the fact that the Photoshop for Photographers Program, which was a limited time offer that kept getting extended has now spawned a permanent offer (now called Creative Cloud Photography). That’s right, even if you never owned a license to Photoshop or Lightroom, you can get:

  • Adobe Photoshop CC
  • Adobe Photoshop Lightroom 5
  • Lightroom Mobile and Web with unlimited photo syncing
  • 2 GB of Cloud Storage to optionally to use anyway you want (LR mobile doesn’t use this storage).

for only $9.99 a month. This means you also get access to all the feature updates along the way at no additional cost. The original offer was such a success that it kept getting extended and Adobe just decided to go ahead and make it a regular plan of Creative Cloud.

You can learn more or sign up here.

Watch the Keynote for the 2014 Release of Creative Cloud



5 Things You Need To Know About Your Lightroom 5 Catalog

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In this episode of Adobe Creative Cloud TV, I’ll cover 5 important things you need to know about your Lightroom 5 catalog.

Are you missing out on my Bonus Content?

See more of my Adobe Creative Cloud Videos on my Adobe Creative Cloud TV and get the App below. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App! My iOS App is a Universal App for iPhone, iPad and iPod touch. I also have an Android version on the Amazon App Store:

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Photographers: Why DNG?

DNG_logo

A few days ago one of my readers left a comment on one of my posts and he was basically asking why I convert my camera’s RAW files into DNG (Digital Negative) format? He asked if I had a post that I could refer him to about my reasons. I realized that while I’ve talked about converting RAW files into DNG format for years at seminars, training classes and on my videos, I’ve never really done a blog post on it. So here it is – Why DNG?:

What is DNG?

DNG stands for Digital Negative format. The problem with the RAW files that your camera produces is that they are proprietary. Also since every camera manufacturer makes their own RAW format (Nikon .NEF, Canon .CR2, etc.) there is no real standard. Each camera manufacturer does whatever they feel like in their format. This also means that not all software can read every RAW format because with each camera manufacturer and each new camera the software companies have to update their software to be compatible with the slight changes in each RAW format. Notice how your software never has to be upgraded to read JPEG files. That’s because JPEG is a universal, non-proprietary standard. You never have to worry about a company going out of business and therefore not being able to access your JPEG files. Like JPEG, DNG is an open standard. Although it was created by Adobe, it’s an open standard with a published specification. If Adobe did nothing else with DNG the standard would still live on. Some cameras even shoot natively in DNG format now.

Why I convert my Nikon .NEF files into DNG

I’ve been converting my Nikon, Sony, and Canon RAW files into DNG format for several years now. However, as usual the question comes up – why? Why go through the extra step to convert your files to DNG. Here are a few reasons for me:

  1. My images are my memories and can’t be replaced. I never want to worry about a day when I can’t open them up because of a company going out of business or deciding to stop support of a format. With DNG I have that extra peace of mind.
  2. DNG saves me space. On average my DNG files take up about 1MB less space than my original .NEF files. Since there’s no loss of quality I’ll happily take the storage savings.
  3. No XMP Sidecar Files! Since software programs can’t really edit RAW files (it’s the non-destructive benefit of working in RAW), any changes you make are made to a small text file that accompanies the RAW file. These small text files are called sidecar files and it becomes one more thing you have to keep track of. Now instead of a folder of images, you have a folder of images and sidecar files. With DNG the changes you make are written non-destructively right into the DNG file.
  4. Backwards compatibility.  DNG format has been supported since Photoshop 7, so I can hand off a DNG file from a camera that just came out to someone with an older version of Adobe Camera RAW or Lightroom and they’d be able to open it up and work on it.

How To Convert Your RAW files to DNG format

Like I said, I’ve been converting my RAW files into DNG for years now. I do it upon import into Adobe Lightroom. However, if you’ve already got images in Lightroom that are in your camera’s RAW format, you can convert them after the fact by selecting the ones you want to convert and choosing “Convert Photos to DNG” from the Library menu.

convert_to_DNG

If you’re not using Lightroom, Adobe actually makes a FREE stand alone DNG converter. It’s always updated anytime there is a new version of Adobe Camera RAW or Lightroom so that it has support for the latest digital cameras and their RAW formats. You can learn more about DNG and grab the FREE DNG converter for Mac or Win here.

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Photographers: iMac or Mac Pro?

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Rather than just do a review of the new Mac Pro and tell you how fast it is vs. any other Mac that Apple has made, I decided to approach this review from a different angle. There was a time when I bought Mac Pro towers because I wanted the fastest Mac available. However, I soon realized that as much as I didn’t want to admit it, the Mac Pro is “overkill” for what I do on a day-to-day basis. Sure, faster is always nicer than slower when it comes to waiting for a process to complete, but honestly I’m rarely waiting for a process to complete these days. Sure, I render video on a weekly basis and it would always be nicer to have those videos render faster, but is the faster render worth the money for a Mac Pro? The answer will of course depend on how much you find yourself waiting on your computer and not being able to do anything else while you’re waiting.

Let’s get some ground rules out of the way first

If you don’t like Macs or don’t want a Mac for whatever your reasons are, you can pretty much stop here and find something else to do with your time. I find it entertaining when people feel compelled to tell you/me how much they don’t want the thing you’re reviewing or writing about because they use something else. This is not a Mac vs. _______ post. If you’re happy with a Windows PC or Linux, or anything else, I’m happy for you. If you’re reading the rest of this post then I’ll assume that you’re a Mac user or thinking of becoming one.

The next thing I’d like to get out of the way is that if you’re looking for a Mac Pro review that tells you this new Mac Pro is better than the previous Mac Pro with all the benchmarks to back it up, then you’d probably be better served by other reviewers who have targeted the performance of the new model vs. the older model. I’m doing this review/comparison simply to answer the question, “as a photographer would I be better off spending my money on an iMac/MacBook Pro or a Mac Pro?” If you’re a videographer and you’re a Mac user then you probably already have the new Mac Pro because you demanded the fastest Mac you could get to render your videos.

 

Introduction

When I saw the rumors that Apple was going to release a radically different design for the Mac Pro, to be quite honest I was only mildly interested. As I stated above, I realized with my last Mac Pro that I wasn’t really a Mac Pro customer. Sure I appreciate the faster performance, but I found myself only using my Mac Pro when I knew a process was going to take a long time to complete. Otherwise I was quite happy just using my MacBook Pro simply because I could use it in any room at any time. I could take it with me on the road. However, I said to myself perhaps if the performance (for what I do) is significantly better and the price point for an entry model was $2,500 or less, I’d consider getting one. Well we know the latter didn’t happen, so now it was time to test the performance. I got the opportunity to test a Mac Pro standard configuration in my studio for a few weeks. I loaded the latest version of my Adobe Creative Cloud applications on it as well as a few utilities that I use such as ScreenFlow. Next, I began running side-by-side tests of the things that I do daily that take more than a few seconds. My assumption was that the Mac Pro would certainly be at least twice as fast at everything I threw at it than my 2012 MacBook Pro Retina Display Mac. Actually I was wrong!

MacPro-back

When will a Mac Pro significantly outperform any other Mac?

As I said above, I was wrong in my assumption that the Mac Pro would be at least twice as fast at everything. Actually it is faster at everything! Just not by a margin of two. On every test I threw at it the Mac Pro outperformed my now two-year-old MacBook Pro, but in some cases it was only slightly faster. This is when I realized that in order to see significant speed improvements the software you’re testing not only needs to be optimized for the faster processors, but also it would need to take advantage of the multiple cores. Even then, the MacBook Pro is no slouch. It’s got multiple cores too. Where I saw the biggest differences was in (no surprise) video rendering and processes that take longer than a minute or so anyway.

 

What I do as a photographer

As a photographer I spend most of my time in Adobe Lightroom 5 and Adobe Photoshop CC. Photoshop CC definitely takes advantage of multiple cores and now has Open CL support. So filters will run faster on the new Mac Pro. All of these applications are 64bit native and that means that they’ll take advantage of additional RAM.

My first test was one of the things I do after every shoot. I convert my RAW files into .DNG (Digital Negative) format. This is one of the few times that I see a progress bar in Lightroom because it does take time to do it. I converted 435 16MP Nikon .NEF RAW files into DNG format.

First on the MacBook Pro it took 14 minutes 35 seconds

On the Mac Pro the same conversion took 12 minutes 12 seconds.

Yes it was faster! However, it was only about 2 minutes faster. I must say that I was a little disappointed. However, I moved on to the next test.

The next test was using the Web module in Lightroom to export a web gallery using the Client Response Gallery Template from The Turning Gate.

MBP-7

On the MacBook Pro this export took 7 minutes 41 seconds

MP-4

On the NEW Mac Pro it took 4 minutes 9 seconds.

Ahhhh, much better. Almost half the time.

The next test was a simple HDR (High Dynamic Range) conversion in Photoshop CC using three RAW files. This is a two-part process. The first part is simply combining the three (or more) images together and aligning them. Then the second part of the process is applying whatever settings you want to control how your HDR looks.

The first part on the MacBook Pro took 12.70 seconds and on the Mac Pro it took 9.10 seconds

The second part on the MacBook Pro took 13.00 seconds and on the Mac Pro it took 11.13 seconds.

The next test was stitching a Panorama together using Photoshop CC and 10 RAW files

On the MacBook Pro this process took 1 minute 12 seconds

On the Mac Pro this process took 51 seconds.

I could have gone on running other tests and other filters, but these are the things I do on a regular basis. If it was faster at something that I rarely do, then I really don’t care as much. As you can see from the results above, the Mac Pro wins on every test as you would expect it to, but the results (even if it was twice as fast in every case) may not justify the difference in cost. We’ll get to that at the end.

Next it was time to look at what I do as a Photographer when it comes to video

I use video in a couple of different ways. The first as a photographer is to tell my story. This means capturing video with my DLSR, GoPro, iPhone, etc. I use Adobe Premiere Pro CC to assemble those videos and then output them to share (usually on YouTube). The next way that I use video and probably the way that I use video the most often is to record my Creative Cloud TV video podcasts. These screen recordings are done with ScreenFlow and since the editing I do is pretty simple I can edit these right in ScreenFlow. Of course I need to export those videos out and this can take a while depending on the length of the video. I had no doubts that this is where the Mac Pro would really shine. After all these are the kind of processor and resource intensive tasks that the Mac Pro was built for. I was not disappointed.

The first test I ran was an export of an hour-long edited video out of ScreenFlow.

On the MacBook Pro this export took 60 minutes

On the Mac Pro this export took 33 minutes.

It gets better in Adobe Premiere Pro CC and the Adobe Media Encoder CC. I needed to convert this video into a different format using the Adobe Media Encoder CC.

MBP-34

On the MacBook Pro this conversion/export took 34 minutes 36 seconds

MP-12

On the Mac Pro this conversion/export took only 12 minutes 36 seconds

 

The Bottom Line

The NEW Mac Pro is the fastest Mac that Apple has ever created. The question you have to ask yourself is, “Is the speed difference worth the difference in price?” For me the answer is no. Sure if I spent my days rendering video all day every day, I’d already have the Mac Pro. There would be no question. However, as a photographer I can’t justify the difference in price. Hey! Wait a minute, you said in the title of this post “iMac or Mac Pro?”, yet all you’ve talked about is the MacBook Pro vs. the Mac Pro. This is true. I didn’t have a new iMac to compare it with. However, if you’re looking for a “desktop” Mac as a photographer, I’d seriously consider the current iMac. The current iMac will be as fast or faster than my 2012 MacBook Pro in every case. So here are some prices and specs to look at:

The Mac Pro model and configuration that I tested above is here. (Now keep in mind that if I was going to buy one I’d start with this configuration and I’d go with a bigger internal drive and more RAM)

The base configuration 4th gen 21.5″ iMac is here. However, this model is not a fair comparison. It’s probably a little slower than my MacBook Pro as it has a slower processor, less RAM, and no Flash Drive.

This would be the configuration that I would recommend and would be more of a fair comparison: 27″ iMac here.

If you’re interested in a similar configuration (using the current model) to my MacBook Pro 15″ Retina, it would be this one.

Why an iMac? Although I don’t use one, an iMac makes sense because you’re getting a fast Mac with a nice big 27″ display all in one.

Wacom_cintiq-24hd

Why a MacBook Pro? For me the MacBook Pro makes the most sense because when I’m at my desk I have connected to a nice 24″ HD Wacom Cintiq display/tablet. When i get ready to go I disconnect it and go. I have a computer with a nice 15″ Retina display when I’m on the road. If I didn’t travel for a living then I’d probably have an iMac. Since I travel a lot, a MacBook Pro makes more sense.

If you want the fastest Mac and you don’t mind spending $3,000-$4,000 (or more) on it, then definitely go with a Mac Pro. Everything you do will likely be faster than the Mac you’re currently using. Keep in mind that you’ll also need to buy a display, keyboard and mouse/tablet to go with it. At the end of the day I realize that computers have become “fast enough” and that I don’t spend a lot of time waiting these days. Even when a process such as a video render/export is going to take a few minutes I can toss it to the background and work on other things in the foreground. My last Mac Pro once configured set me back over $5,000 and while it was a beast, I found that I wasn’t really using it as much as I had hoped I would, so I sold it. The new Mac Pro is faster, but is it $4,000 faster? For me it’s not.

 

UPDATE: Now that the iMac Retina 5K is out I got my hands on one and did a comparison here.



5 Hidden Gems in Adobe Lightroom 5

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In this episode of Adobe Creative Cloud TV, I’ll show you 5 or more hidden gems in Adobe Lightroom 5. See these little known features and tips and tricks that will speed up your Lightroom workflow.

Are you missing out on my Bonus Content?

See more of my Adobe Creative Cloud Videos on my Adobe Creative Cloud TV and get the App below. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App! My iOS App is a Universal App for iPhone, iPad and iPod touch. I also have an Android version on the Amazon App Store:

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How To Combine Multiple Lightroom Catalogs Into One

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In this episode of Adobe Creative Cloud TV, I’ll show you how to combine multiple Lightroom catalogs into one.

Are you missing out on my Bonus Content?

See more of my Adobe Creative Cloud Videos on my Adobe Creative Cloud TV and get the App below. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App! My iOS App is a Universal App for iPhone, iPad and iPod touch. I also have an Android version on the Amazon App Store:

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How To Get Started With Lightroom 5 – 10 Things Beginners Want To Know How To Do

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One of my most popular videos right now is my How To Get Started with Lightroom 4 video. I figured it was time to make the Lightroom 5 version and here it is. In this episode of Adobe Creative Cloud TV I’ll show you how to get started using Lightroom 5. This is for beginners, first time Lightroom users, and folks who are self-taught and may be missing things. We’ll cover the 10 things beginners ask about the most. Definitely check out the last thing which is how to move your photos from one drive to another.

Are you missing out on my Bonus Content?

See more of my Adobe Creative Cloud Videos on my Adobe Creative Cloud TV and get the App below. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App! My iOS App is a Universal App for iPhone, iPad and iPod touch. I also have an Android version on the Amazon App Store:

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Adobe Lightroom 5.3 and Camera RAW 8.3 are Here!

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Lightroom 5.3 is now available as a final release on Adobe.com and through the update mechanism in Lightroom 5.  The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom.

Release Notes

Newly added support for Tethered Capture in Lightroom 5.3

  • Canon EOS Rebel T4i / EOS 650D / EOS Kiss X6i

New Camera Support in Lightroom 5.3

  • Canon EOS M2
  • Canon PowerShot S120
  • Casio EX-10
  • Fujifilm XQ1
  • Fujifilm X-E2
  • Nikon 1 AW1
  • Nikon Coolpix P7800
  • Nikon Df
  • Nikon D610
  • Nikon D5300
  • Nokia Lumia 1020
  • Olympus OM-D E-M1
  • Olympus STYLUS 1
  • Panasonic DMC-GM1
  • Pentax K-3
  • Phase One IQ260
  • Phase One IQ280
  • Sony A7 (ILCE-7)
  • Sony A7R (ILCE-7R)
  • Sony DSC-RX10

New Lens Profile Support in Lightroom 5.3

Mount Name
Apple   Apple iPhone 5s
Canon   Canon EF-M 11-22mm f/4-5.6 IS STM
Canon   Canon EF-S 55-250mm f/4-5.6 IS STM
Canon   TAMRON SP 150-600mm F/5-6.3 Di VC USD A011E
DJI   Phantom Vision FC200
Nikon   Nikon 1 NIKKOR AW 11-27.5mm f/3.5-5.6
Nikon   Nikon 1 NIKKOR AW 10mm f/2.8
Nikon   Nikon AF-S NIKKOR 58mm f/1.4G
Nikon   Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR
Nikon, Sigma   Sigma 18-35mm F1.8 DC HSM A013
Sony   Sony 16-35mm F2.8 ZA SSM
Sony   Sony 24-70mm F2.8 ZA SSM
Sony   Sony 70-200mm F2.8 G SSM II
Sony   Sony E 16-70mm F4 ZA OSS
Sony   Sony E PZ 18-105mm F4 G OSS
Sony   Sony E 20mm F2.8
Sony   Sony FE 28-70mm F3.5-5.6 OSS
Sony   Sony FE 35mm F2.8 ZA
Sony   Sony FE 55mm F1.8 ZA

Bugs Corrected in Lightroom 5.3

  • Issues when upgrading catalog from previous versions of Lightroom.
  • Incorrect photos are displayed after switching away from a Publish Collection.
  • Catalog optimization did not finish, and was not optimizing the catalog
  • Feather of clone spots is set to 0 after upgrading catalog to Lightroom 5.
  • Auto White Balance settings are not saved to Snapshots.
  • Sony 18-55mm lens is detected as the Hasselblad 18-55mm lens for lens correction.
  • Increased Update Spot Removal history steps when in Before and After view.
  • Slideshows start playing automatically even when the Manual Slideshow option is enabled.
  • On certain images, red eye removal behaved incorrectly
  • Incorrect White Balance settings applied when synching Auto WB from source to targets
  • Video playback stops when dragging on the scrubber.
  • Errors when publishing photos to Flickr through the Publish Service.
  • Option + drag on Edit Pin behavior is functioning incorrectly.
  • Black border appears around the exported slideshow video.
  • Catalog containing images processed with PV2003 were adding a post-crop vignette when catalog upgraded to Lightroom 5.
  • Pressing the “Reset” button while holding down the Shift key caused Lightroom to exit abruptly.
  • Output Sharpening and Noise Reduction were not applied to exported images that were resized to less than 1/3 of the original image size.
  • The Esc key did not exit the slideshow after right clicking screen with mouse during slideshow playing.
  • Import dialog remained blank for folders that contain PNG files with XMP sidecars.
  • Metadata panel displayed incorrect information after modifying published photo.  Please note that this only occurred when metadata was changed after the photo was published.
  • In the metadata of exported files, the application is listed as 5.0 instead of the actual Lightroom version (such as 5.2, etc.).
  • An Error Occurs When Playing a slideshow having an image Flipped Horizontally or Vertically.
  • Added Camera Matching color profiles (Natural, Muted, Portrait, Vivid) for the following Olympus cameras:
    • Olympus E-5
    • Olympus E-M1
    • Olympus E-M5
    • Olympus E-P1
    • Olympus E-P2
    • Olympus E-P3
    • Olympus E-P5
    • Olympus E-PL1
    • Olympus E-PL1s
    • Olympus E-PL2
    • Olympus E-PL3
    • Olympus E-PL5
    • Olympus E-PL6
    • Olympus E-PM1
    • Olympus E-PM2
    • Olympus STYLUS 1
    • Olympus XZ-1
    • Olympus XZ-2
    • Olympus XZ-10

Download Links:

Lightroom 5.3: Windows | Mac

Continue reading “Adobe Lightroom 5.3 and Camera RAW 8.3 are Here!”