I know this review is way overdue. I have reviewed the new iPhone each year on the Monday after release since 2007. Why the delay on my iPhone 7 Plus review? There are a few reasons, but the main one was that I was waiting on one of the hallmark features that is promised for the iOS 10.1 release. I was hopeful that since I’ve waited this long that the new “Portrait” aka shallow depth of field camera feature would be released. As of the writing of this review, it’s still in beta. So I don’t want to give an opinion based upon unreleased software. With that said, let’s get to it…
You Can Now Shoot RAW on iPhone Thanks to Lightroom
Now You Can Shoot RAW on iPhone!
If you’re a photographer and an iPhone 6s (or higher) user, you’re going to be happy once you upgrade to iOS 10 and Lightroom 2.5 for iOS. With an iPhone SE, iPhone 6s, iPhone 6s Plus, iPhone 7, iPhone 7 Plus or iPad Pro 9.7″ you can now capture images in either JPG or DNG (RAW). The benefits of RAW over JPG have been well documented, but I decided to record a video not only showing how the new RAW capture feature works, but to also show you RAW vs. JPG comparisons from an iPhone 6s Plus and the quality differences:
Continue reading “You Can Now Shoot RAW on iPhone Thanks to Lightroom”
Photographers: Why DNG?
A few days ago one of my readers left a comment on one of my posts and he was basically asking why I convert my camera’s RAW files into DNG (Digital Negative) format? He asked if I had a post that I could refer him to about my reasons. I realized that while I’ve talked about converting RAW files into DNG format for years at seminars, training classes and on my videos, I’ve never really done a blog post on it. So here it is – Why DNG?:
What is DNG?
DNG stands for Digital Negative format. The problem with the RAW files that your camera produces is that they are proprietary. Also since every camera manufacturer makes their own RAW format (Nikon .NEF, Canon .CR2, etc.) there is no real standard. Each camera manufacturer does whatever they feel like in their format. This also means that not all software can read every RAW format because with each camera manufacturer and each new camera the software companies have to update their software to be compatible with the slight changes in each RAW format. Notice how your software never has to be upgraded to read JPEG files. That’s because JPEG is a universal, non-proprietary standard. You never have to worry about a company going out of business and therefore not being able to access your JPEG files. Like JPEG, DNG is an open standard. Although it was created by Adobe, it’s an open standard with a published specification. If Adobe did nothing else with DNG the standard would still live on. Some cameras even shoot natively in DNG format now.
Why I convert my Nikon .NEF files into DNG
I’ve been converting my Nikon, Sony, and Canon RAW files into DNG format for several years now. However, as usual the question comes up – why? Why go through the extra step to convert your files to DNG. Here are a few reasons for me:
- My images are my memories and can’t be replaced. I never want to worry about a day when I can’t open them up because of a company going out of business or deciding to stop support of a format. With DNG I have that extra peace of mind.
- DNG saves me space. On average my DNG files take up about 1MB less space than my original .NEF files. Since there’s no loss of quality I’ll happily take the storage savings.
- No XMP Sidecar Files! Since software programs can’t really edit RAW files (it’s the non-destructive benefit of working in RAW), any changes you make are made to a small text file that accompanies the RAW file. These small text files are called sidecar files and it becomes one more thing you have to keep track of. Now instead of a folder of images, you have a folder of images and sidecar files. With DNG the changes you make are written non-destructively right into the DNG file.
- Backwards compatibility. DNG format has been supported since Photoshop 7, so I can hand off a DNG file from a camera that just came out to someone with an older version of Adobe Camera RAW or Lightroom and they’d be able to open it up and work on it.
How To Convert Your RAW files to DNG format
Like I said, I’ve been converting my RAW files into DNG for years now. I do it upon import into Adobe Lightroom. However, if you’ve already got images in Lightroom that are in your camera’s RAW format, you can convert them after the fact by selecting the ones you want to convert and choosing “Convert Photos to DNG” from the Library menu.
If you’re not using Lightroom, Adobe actually makes a FREE stand alone DNG converter. It’s always updated anytime there is a new version of Adobe Camera RAW or Lightroom so that it has support for the latest digital cameras and their RAW formats. You can learn more about DNG and grab the FREE DNG converter for Mac or Win here.
Adobe Lightroom 4.1, Camera RAW 7.1, DNG Converter 7.1 Now Available
Lightroom 4.1 is now available as a final release on Adobe.com and through the update mechanism in Lightroom 4. The goal of this release is to provide additional camera raw support, lens profile support and address bugs that were introduced in previous releases of Lightroom. In addition, Lightroom 4.1 introduces the following new features:
- The ability to process HDR TIFF files. (16, 24 or 32-bit TIFF files) This can be useful if you have merged multiple exposures into a single 32-bit image using Photoshop’s HDR Pro. Using the new basic panel controls can be a very effective and straightforward method of achieving an overall balance across the tonal range.
- Additional Color Fringing corrections to help address chromatic aberration. Click here to learn more
- Save photobooks created in the Book Module as JPEG files
- Publishing photos to Adobe Revel is now accessible via a Publish plugin
Bugs Corrected in Lightroom 4.1
The following bugs that were part the Lightroom 4 releases have been corrected. The team appreciates the very detailed feedback the community has provided on Lightroom 4 and we’re excited to correct a number of issues experienced by our customers. These issues have been FIXED:
- Point Curve adjustments made in Lightroom 3 have been restored.
- Edit-in functionality has been restored to external applications including Adobe Photoshop and Nik plugins
- Addressed performance issues in Lightroom 4, particularly when loading GPS track logs, using a secondary monitor, and the controls within the Develop module.
- Ability to update DNG previews and metadata for more than 100 photos has been restored.
- This update allows for improved viewing of subfolders and stacks in folders with a large number of photos.
- It was possible that a layout of a saved book could be lost after quitting Lightroom 4.
- Adjustments made in the Develop module were not properly being reflected to photos that have been laid out in the Book Module
- Postscript Type 1 Fonts do not appear in the Font menu within the Book module.
- Clarity adds grey tinting to 100% white tones.
Known Issues in Lightroom 4.1:
- Double byte fonts such as those found in Chinese and Japanese characters are not being exported to PDF or when published to Blurb.
- The Revel Publish Service will delete photos from a carousel. This occurs when the customer asks Lightroom to delete the carousel and then cancels out of the confirmation dialogue box.
New Camera Support in Lightroom 4.1
- Canon EOS 1D X
- Canon EOS 5D Mark III
- Canon EOS 60Da
- Canon PowerShot G1 X
- Fuji FinePix F505EXR
- Fuji FinePix F605EXR
- Fuji FinePix F770EXR
- Fuji FinePix F775EXR
- Fuji FinePix HS30EXR
- Fuji FinePix HS33EXR
- Fuji X-Pro1
- Leaf Credo 80
- Leica M Monochrom
- Leica X2
- Nikon D4
- Nikon D800
- Nikon D800E
- Olympus OM-D E-M5
- Panasonic Lumix DMC-GF5
- Pentax K-01
- RICOH LENS A16 24-85mm F3.5-5.5
- Samsung NX20
- Samsung NX210
- Samsung NX1000
- Sony Alpha NEX-F3
- Sony Alpha NEX-VG20
- Sony Alpha SLT-A37
- Sony Alpha SLT-A57
New Lens Profile Support in Lightroom 4.1
Lens Mount | Lens Name |
Canon | Canon EF 35mm f/2 |
Canon | Sigma APO 50-150mm F2.8 EX DC OS HSM |
Canon | Tokina AT-X 107 AF DX Fish-Eye 10-17mm f/3.5-4.5 |
Canon | Tokina AT-X PRO FX 16-28mm f/2.8 |
Canon | Tokina AT-X PRO FX 17-35mm f/4 |
Leica | LEICA APO-SUMMICRON-M 50 mm f/2 ASPH. |
Nikon | Nikon AF-S Micro NIKKOR 60mm f/2.8G ED |
Nikon | Nikon AF Micro-NIKKOR 60mm f/2.8D |
Nikon | Nikon AF-S NIKKOR 28mm f/1.8G |
Nikon | Tokina AT-X 107 AF DX Fish-Eye 10-17mm f/3.5-4.5 |
Nikon | Tokina AT-X PRO FX 16-28mm f/2.8 |
Nikon | Tokina AT-X PRO FX 17-35mm f/4 |
Nikon | Sigma APO 50-150mm F2.8 EX DC OS HSM |
Nikon | Sigma 85mm F1.4 EX DG HSM |
Olympus | Sigma 19mm F2.8 EX DN |
Olympus | Sigma 30mm F2.8 EX DN |
Pentax | Sigma 18-200mm F3.5-6.3 II DC OS HSM |
Pentax | Sigma 17-50mm EX DC HSM |
Sigma | Sigma APO 50-150mm F2.8 EX DC OS HSM |
Sony | Sigma 12-24mm F4.5-5.6 DG HSM II |
Sony | Sigma 18-200mm F3.5-6.3 II DC OS HSM |
Sony | Sigma 19mm F2.8 EX DN |
Sony | Sigma 30mm F2.8 EX DN |
Sony | Sigma 150mm F2.8 EX DG OS HSM APO Macro |
Thank You
A big thanks to everyone who submitted bug reports, posted entries in the U2U forums and blogged their issues so that we could improve the Lightroom 4 experience in this update. Thank you.
Download Lightroom 4.1 here – Windows, Mac
Camera Raw 7.1 is now available on Adobe.com and through the update mechanism in Adobe Photoshop CS6. Camera Raw 7.1 adds new Defringe controls to help address chromatic aberration. Defringe is available as part of the Lens Correction panel. Camera Raw can also now read 16-bit, 24-bit, and 32-bit HDR files. Supported HDR formats are TIFF and DNG. Photoshop CS6 customers can upgrade to Camera Raw 7.1. Customers of previous versions of Photoshop can utilize DNG Converter 7.1 for raw file support for newly added cameras.
New Camera Support in Camera Raw 7.1
- Canon EOS 1D X*
- Canon EOS 5D Mark III*
- Canon EOS 60Da
- Canon PowerShot G1 X*
- Fuji FinePix F505EXR*
- Fuji FinePix F605EXR*
- Fuji FinePix F770EXR*
- Fuji FinePix F775EXR*
- Fuji FinePix HS30EXR*
- Fuji FinePix HS33EXR*
- Fuji X-Pro1
- Leaf Credo 80
- Leica M Monochrom
- Leica X2
- Nikon D4*
- Nikon D800*
- Nikon D800E*
- Olympus OM-D E-M5*
- Panasonic Lumix DMC-GF5
- Pentax K-01*
- RICOH LENS A16 24-85mm F3.5-5.5
- Samsung NX20*
- Samsung NX210*
- Samsung NX1000*
- Sony Alpha NEX-F3
- Sony Alpha NEX-VG20*
- Sony Alpha SLT-A37
- Sony SLT-A57*
* denotes that the camera model was supported in DNG Converter 6.7
New Lens Profile Support in Camera Raw 7.1
Lens Mount | Lens Name |
Canon | Canon EF 35mm f/2 |
Canon | Sigma APO 50-150mm F2.8 EX DC OS HSM |
Canon | Tokina AT-X 107 AF DX Fish-Eye 10-17mm f/3.5-4.5 |
Canon | Tokina AT-X PRO FX 16-28mm f/2.8 |
Canon | Tokina AT-X PRO FX 17-35mm f/4 |
Leica | LEICA APO-SUMMICRON-M 50 mm f/2 ASPH. |
Nikon | Nikon AF-S Micro NIKKOR 60mm f/2.8G ED |
Nikon | Nikon AF Micro-NIKKOR 60mm f/2.8D |
Nikon | Nikon AF-S NIKKOR 28mm f/1.8G |
Nikon | Tokina AT-X 107 AF DX Fish-Eye 10-17mm f/3.5-4.5 |
Nikon | Tokina AT-X PRO FX 16-28mm f/2.8 |
Nikon | Tokina AT-X PRO FX 17-35mm f/4 |
Nikon | Sigma APO 50-150mm F2.8 EX DC OS HSM |
Nikon | Sigma 85mm F1.4 EX DG HSM |
Olympus | Sigma 19mm F2.8 EX DN |
Olympus | Sigma 30mm F2.8 EX DN |
Pentax | Sigma 18-200mm F3.5-6.3 II DC OS HSM |
Pentax | Sigma 17-50mm EX DC HSM |
Sigma | Sigma APO 50-150mm F2.8 EX DC OS HSM |
Sony | Sigma 12-24mm F4.5-5.6 DG HSM II |
Sony | Sigma 18-200mm F3.5-6.3 II DC OS HSM |
Sony | Sigma 19mm F2.8 EX DN |
Sony | Sigma 30mm F2.8 EX DN |
Sony | Sigma 150mm F2.8 EX DG OS HSM APO Macro |
Camera Raw 7.1 Release Notes
These items have been FIXED in Camera Raw 7.1:
- Keyboard shortcuts for the point curve channel on Windows were not functional.
- Local corrections are not refreshing after applying lens corrections. This occurs on both TIFF and JPEG files with noise reduction disabled.
- Point curve adjustments made to a single R,G, or B channels in the Tone Curve tab can be reset a channel curve is adjusted.
- Photoshop and Bridge show different values for the image resolution in certain images. Photoshop and Bridge are not changing the image resolution, but displaying different values.
- Applying keywords to multiple files can sometimes cause errors when writing the keyword metadata to file. This can occur when the “Save Image Settings in” preference within Camera Raw is set to the Camera Raw database.