Guest Review by Jason Lykins: Saberstrips

One thing that I’m always looking for as a photographer is new ways to stay ahead of the pack. Whether that is with a new lighting style, a new editing technique, or a new piece of gear that allows me to do something different, I’m always looking for that edge. Recently Scott from Saberstrip sent me a couple of his unique modifiers to try out, and I immediately knew I had to add a few to my speedlight kit. Not only do they do something different than any other light modifier that I currently own, but also it’s a look that not many people are getting with speedlights. The ease of use, durability, and unique design make them well worth the investment.

Immediately after receiving them I set one up and grabbed my closest subject, which happened to be my son who was playing a video game. Being my son, he’s used to standing in as a model while I test out new gear, so he was willing and happy (or at least he faked being happy). I brought the light in close and used it to light his face like I would do for a headshot, and I couldn’t have been happier with the light quality.  I gelled the flash to match the ambient in the room and the output was beautiful.

 

What You Get

The Sabertrips arrives in a carefully packaged box, individually wrapped in plastic and bubble wrap. Each Saberstrip is a roughly 3foot long tube with a cap on each end. The middle section is cut out and covered with diffusion material. On the removable end you will see a wing nut type of fastener that allows you to loosen the cap to remove it.  Once the bottom cap is removed you will see two screws holding the mounting plate down and a ¼-20 screw protruding from the mounting plate. If you look into the tube you will see at the very top (the end away from the base plate that you removed) is a reflector plate mounted to the top cap.  That’s pretty much it. Other than a cold shoe or TTL cord (I’ll get to those in a minute) that’s all that you need to get started using your new Saberstrip. There are a few things that Saberstrip recommends to use when mounting your modifier, however they aren’t required. To see a list of those recommended items visit the Saberstrip website.

 

Setup

Setup is easy with the Saberstrip. Once the bottom cap is removed from the modifier you remove the two Phillips screws holding the base plate in place and the plate comes free. Once you have the plate removed you have access to the ¼-20 screw to mount your flash. Here you have to make a decision. Depending on how you’re going to trigger your flash units, you will need to attach one of two things to the mounting plate. If you’re using Pocket Wizard Flex units, or the Radio Popper TTL triggers, you will need to mount a TTL cable to the plate. If you’re using standard Pocket Wizards or any other kind of “dumb” triggers, you will need to attach a cold shoe adapter here. Personally I am using the Pocket Wizard Flex units so I attached the TTL cable to the base plate.  (One note here, at first I had a little trouble getting the TTL cable through the hole in the bottom cap but it finally went through with a little twisting of the connection part of the cable) Once you have your cold shoe or cable attached, you can reinstall the two Phillips screws to reattach the plate to the cap. Attaching your flash to the base plate is done by either sliding the hot shoe connection into the TTL cord, or tightening the screw on the side of the cold shoe like you normally would.  Once you have your flash attached, you need to remove the diffuser cap (if equipped) and zoom the flash to its maximum zoom. This causes the flash to bounce off of the reflector at the other end and distribute the light evenly across the diffusion material.  Mounting the Saberstrip itself is easy. The bottom cap accepts a ¼-20 screw/stud (like most common speedlight accessories) so you can attach it to most standard light stands and booms. I used them with all sorts of stands and never had a problem mounting them with no extra equipment needed.

 

Uses

I found a few different “favorite” ways to use the Saberstrip. Since the Saberstrip is similar in shape to a conventional strip box, the immediate thought is to use them as rim lights. I used them like this as well, but I wanted to try them out in different ways. In the shot I did of my daughter I placed the Saberstrip on a boom horizontally and lowered it until it was just out of the picture. I then placed a piece of Plexiglas below her arms on a posing table. The design of the Saberstrip allows the light to be feathered off of the subject, which is exactly what I did in this situation by simply rotating the whole unit so that the diffusion material was pointed more towards the ceiling than directly at her. The modifier worked really well for this shot because it kept an even source of light across the entire reflective area as well as her face. The quality of light was soft and made for a beautiful portrait.

The next way that I found myself using the Saberstrip quite a bit was as a hair light. I found myself placing it on a boom above and behind the subject’s head in a horizontal position. I liked it this way because it puts a nice soft light on not only the subject’s head but on the shoulders as well. It creates great separation from the background and really makes the model “pop”. I used it with Dawn in the shot above, but because you can see so far above her head in the frame it’s actually a composite. I had the camera on a tripod and I told the model to remain still after the first shot. After I took the first shot I removed the boom and hair light, returned and took a second shot without the hair light in the photo.  I then combined the two in Photoshop to make the image you see above. The main was a Qflash through a Zumbrella camera left.

The bottom Line

For me it comes down to creativity. I absolutely love the ability to control, contain, and shape my light to my liking. Adding speedlight powered strip lights to my mobile lighting kit is just one more way that I can separate myself from the pack making my images that are different than the rest. The Saberstrip is reasonably priced. For $135.00 you get a mobile strip light that can be used not only as a rim light, but also as a hair light, main light, fill light, and more!  It’s a great value and a great product! To find out more, or to order your Saberstrip visit http://www.saberstrip.com.

Guest Blog with Jason Lykins Reviewing The PocketWizard Flex units for Nikon

I want to thank Terry for offering up his tech blog to me today. I can’t say enough about Terry, his tutorials, videos, and all around great advice. He’s helped me immensely over the years. Terry asked me to talk to you guys today about my experience with the PocketWizard Flex units for the Nikon CLS system, as I’ve been in the Beta testing program since June. I was first approached by Phil Bradon about a year ago. Phil is the Product Marketing manager of the MAC group which is the distributor for Pocket Wizards in the US. He told me that he had added me on the (short) beta list of photographers to test out the new Flex Units for PocketWizard along with the Likes of David Hobby, Joe McNally, and the guys from the Fstoppers, just to name a few. A bit intimidating list… you had better believe it! Being a Nikon Shooter I couldn’t wait to get my hands on a set of the Flex units. I lusted after them since they were released for the Canon system. I LOVE the Nikon CLS (Creative Lighting System) Flash System. It is the main reason that I chose to go with Nikon over the years. The only thing that I (along with every other Nikon shooter that I know) has really, really hoped to see added was the addition of radio communication for the system instead of IR. With no option from Nikon, Pocket Wizard has answered our prayers with the Flex TT1 transmitter and the Flex TT5 Receiver.
 

Do they live up to the hype?

Long story Short, these things ROCK! Every Nikon shooter that I have talked to wants to know if they work as claimed. Do you really get rock solid construction just like every other PocketWizard Product? Yup. Do you really get 800 feet of TTL control? Yup. Everything that PW claims about these units is true. Anyone that has ever had any experience with PocketWizards in the past knows that when they do something, they do it right. The Flex units are no exception. The build is a solid high impact plastic. Securing them to the hot shoe is done via threaded locking screw on top of the hot shoe connectors. Staying true to form they have ¼ 20 metal threaded input for secure mounting to external sources.
During my time with the Beta Units I pushed them to the limits. I arranged models, at distances of up to and beyond the claimed 800 feet. I placed flashes behind walls, under benches, behind windows, hundreds of feet outside of windows on stands, and more… Each and every time the flashes fired without issue. Pocket Wizard did a stellar job of design and alpha testing. They have really allowed me to be more creative with my small flash lighting, and placement.

When I was looking to add TTL radio capability to my Nikon Flashes I looked at one other brand of transmitters besides the Pocket Wizards, the Radio Poppers. Without talking too bad about the other system, the advantages that I saw in the Pocket Wizards were this: The Pocket Wizards were backwards compatible with the older Plus II units that I was already heavily invested in for triggering my studio strobes. The Flex units had a solid connection with the camera and flash units unlike the Radio Poppers which required some creative field engineering to attach. There were a few other small things that came down to personal taste but it’s safe to say that I prefer the Flex Units over the Radio Poppers.

 

What I wasn’t expecting

The Flex Units lived up to everything that I expected. They did absolutely everything that I wanted. What surprised me were the things that they did that I wasn’t expecting. PocketWizard has not only made these units backwards compatible with the Plus II’s but they have also made them compatible with the Multimax units as well. Offering 52 channels you never have to worry about being on another shooters channel. One feature that I wasn’t expecting but totally took me by surprise is called Hypersync. High Speed FP mode allows your flash and camera to sync all of the way up to 1/8000th of a second, but with Hypersync you can sync with your studio strobes at 1/500th of a second or faster! This is HUGE! This is the difference between background in focus, and background out of focus while shooting with studio strobes in certain situations. This has to be my favorite feature added to these units. Something else I was hopeful that the system would do, but I wasn’t sure was sync regular Plus II’s with Studio strobes, and Flex units with Speed Lights running TTL seamlessly. The Shot of the girl on the motorcycle was done in this fashion with an Alien Bee for fill and a Sb900 as the main. PocketWizard has added one more thing that should make every Nikon shooter rejoice, the AC3 zone controller. Basically the AC3 is PocketWizard’s version of the SU800. On camera flash control for remote units, but for only $79.00!
 

Should you get them?

Absolutely! I have recommended that every Nikon shooter I know to get on the waiting list for these things. I ordered three more to expand my lighting possibilities myself. If you’re tired of losing CLS distance in bright sunlight, if you want to extend your flash distance and keep TTL, if you want to put flashes out of the line of sight and still be able to trigger them reliably, the PocketWizard Flex units are for you. With the backward compatibility, the introduction of the AC3 Zone controller in February, and PocketWizard’s reputation for solid performance, you can’t go wrong with these units. 

Get the PocketWizard FlexTT5 Transceiver Radio Slave for Nikon i-TTL Flash here for $219.00

Get the PocketWizard MiniTT1 Radio Slave Transmitter for Nikon i-TTL System here for $199.00

 

See more of Jason's photography here.