Tag Archives: Lightroom

 

It's been a while since I did my Nikon GPS Smack Down. Back then I chose the Solmeta N2 as the winner for overall best GPS for Nikon DSLRs. Since that time Solemta has come out with another new model, the N3 and I got a chance to try one out. Like previous model the Solmeta N3 plugs right into your compatible Nikon DSLR and geotags (adds longitude/latitude and heading) your photos as you take them (both JPG and RAW support). However, unlike the previous model you now have to choose between the one for professional DSLRs like the D700, D3, D4, etc. and the prosumer models like the D5100, D7000, etc. The reason you have to choose is because the interface cable is now hardwired in. This has it's advantages and disadvantages. The advantage is that the connection is perfectly secure. The N2 allows you to plug in a cable to match your camera, but the connection could easily get damaged if you bumped/hit it the wrong way. The new connection is very well designed. The disadvantage (at least for me) is that if you have multiple camera bodies of different types you'll now need one of each type to go with your camera as opposed to just ordering the additional cable. This will only affect a small percentage of people, but it is a slight step down in convenience for me. Another small but notable cable improvement is that the cable is now coiled instead of being too long or too short. It will be just right for however you attach your GPS (in the hotshoe or on the strap). 

 

Faster and more accurate

This model uses a 3-axis electronic compass like their top of the line model the Geotagger Pro. The N2 uses a 2 axis compass. The first thing that impressed me was how fast it was ready to go. By the time I tuned the camera on and was ready to snap the 1st picture it had already locked on to a satellite and was providing the location info to my Nikon D700. The other big difference is that this model gets its power directly from the camera. The other models have internal batteries that you charge and then only after they run down will it get power from the camera. While having a built-in battery does provide for potentially longer shooting, the N3 is designed to use less power, sleep and take advantage of the Nikon GPS power saving features. I haven't had it long enough to compare battery life, but I did notice that it went to sleep a few seconds after I turned the camera off and was ready almost instantly when I turned the camera back on.

The GPS data shows in Lightroom 3 and allows you to click the arrow/button to take you to that spot on Google Maps.

 

New Indoor Fixed Mode

GPS units work best when used outside, but if you are going in and out of buildings a GPS that only works outside isn't much use to you. The N3 has an Indoor Fixed Mode that will use you last known location to continue tagging photos as you take them inside.

 

Built-in Remote Trigger Support

One of the usual concerns pro photographers have is that the model for the pro cameras use the 10 pin terminal port. That port is also often used for cable releases (remotes). While Solmeta does sell a Y splitter cable so that you can use your existing cable release, the also have a port on the side for use with a basic remote too.

 

The Bottom Line

I have mixed feelings about this model. I'm happy with the speed and accuracy, but I'm less happy about needing a specific model for your camera. Luckily the N2 and Geotagger Pro are still available as options. Solmeta has positioned the N3 right between the Pro and N2 and it's priced at $189. You can't go wrong with any of these models as they are all solid performers. 

Learn more or order here.

 

In this episode of the Adobe Creative Suite Podcast I'll show you How to Publish Your Photos from Lightroom Directly To Google+. Special thanks goes out to Tom Roper for leading me to this tip. 

Get the Lightroom Picasa Plug-in here.

Add me on Google+ Here.

See the resulting Google+ "Recent Work" gallery here.

Also don't forget that Lightroom 3 is currently ON SALE for HALF OFF here.

See more of my Adobe Creative Suite Videos on my Adobe Creative Suite Podcast and get the App here. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App:

Learn Adobe Creative Suite with Terry White - Wizzard Media

PS. My iOS App just got an update that fixes the iOS 5 video playback problem and adds the following features:

  • Retina Display Graphics
  • A new tab bar interface
  • Swiping to the left and right from the episode detail page will go to the next or previous episode
  • UI enhancements
  • Faster show loading
  • Minor bug fixes

 

 

I use Lightroom everyday as I'm always doing something with my images. I have multiple catalogs for the various kinds of photography that I do. My images are temporarily captured and stored on my internal hard drive of my MacBook Pro until they've been reviewed, selected, retouched, shared and delivered. After that the keepers are moved to my Mac OS X Server (Drobo) where they are backed up each night to another Drobo and to the cloud via CrashPlan. Once the images are moved from the internal drive on my laptop to the server, i update the catalog with the new location of this folder of images. This way if I ever need to work with or output those images again Lightroom will do so over my network to the server. The catalogs themselves always remain on the laptop drive. That's where the problem comes into play. What if I want to access one of those catalogs from a different computer? Networked Catalog access is not supported or recommended.

 

My Lightroom Catalogs are on Dropbox

I saw the value in Dropbox long ago and signed up for their 100GB plan. Dropbox basically became my "documents" and "pictures" folder so that I would have cloud backup and access to my documents/pictures no matter which computer or mobile device that I use. That's been working out GREAT! One day it dawned upon me to try it with a Lightroom catalog. I figured if my catalog is sync'd to Dropbox, then I would be able to access that catalog from any of my computers running Lightroom. I put my most frequently used Lightroom Catalogs in my Dropbox folder and I have to say that I love it! I can now go to any of my computers running Lightroom and access my catalog. Also something else works that I wasn't sure if it would or not. The images themselves (except for the most current shoot/work in progress) are on the server, all I have to do is mount the server and Lightroom sees the images too. No relinking necessary. 

 

Could you put the images in there too?

Sure! I could also put the images from my most current shoot in the Dropbox folder for a true "work anywhere" scenario. The only reason that I usually don't is because of the time it would take to sync hundreds of RAW files relative to the initial time I actually need access to that folder from more than one computer. The other option and the one that I would lean towards would be to immediately copy the current shoot folder to the server when I get home. The only reason I don't do that is because it just works faster overall when the images are on the local drive for the initial edits. If I were to pick either of the above workflows, I would just copy the images immediately to my server right after the shoot. This way I could work on them from any computer in the house.

 

Side tip

Dropbox is also an easy way to share the final images. You can zip them up, put them in your public folder and then right click on them to get a public link. Simply email that link to your client and they'll be able to download the large file without having to have a Dropbox account or even know what Dropbox is.

 

The Bottom Line

I use Dropbox for lot's of things (see my 5 Ways to Take Advantage of Dropbox post here). Every time I think of a new way it makes me value the service that I pay for even more. You can get a FREE 2GB Dropbox account here.

It feels like déjà vu! It was a few days before Photoshop World Vegas and I was in the middle of shoot and all of a sudden I noticed the last couple of images didn't come up on the screen in Lightroom. I looked down at the camera and to my dismay I saw my USB tethering cable was at a 45° angle on the side of the camera. I thought, "that can't be good!" At some point my hand must have applied a bit of pressure to the end of the cable going into my D700 and as I suspected I damaged the port once again. Last time this happened was the week before Photoshop World Orlando. The only difference was in the previous incident I must have tugged on the cable too much. See that blog post here. I solved that problem with a TetherLock:

However, as I painfully found out solutions like TetherLock and the ones from TetherTools only solve the cable "tug" problem. As you can see in the image above the cable plug is still exposed and therefore it has potential to be bumped, pushed, bent, etc.

 

I need a cage or bracket

I started thinking about ways to protect the actual port with some sort of cage or cover that surrounds the port/cable connection itself. Little did I know at the time that such solutions already exist. Blog reader and friend Ken Toney suggested this "Cable Relief Spacer" from Really Right Stuff. I thought "PERFECT!"

However, there was a small problem. All of my tripod heads and plates are by Kirk. I bought them long ago and while I do plan to switch to Really Right Stuff at some point (just for compatibility with all the people I shoot with), I hadn't planed on doing it right now. I wondered if Krik offered a similar solution for the L-Brackets I already own and fortunately they do! I ordered the Kirk LBA-1 USB Spacer Block immediately While these solutions basically offer the same solution, I would give the nod to the Really Right Stuff one because it appears to do both: Protect the port AND keep the cable from being tugged. Nevertheless, I'm now using the Kirk Spacer Block and my existing TetherLock for the ultimate "Terry proof" solution.

 

The Bottom Line

These extra pieces add cost to tethering. However, I couldn't imagine not tethering to Lightroom during my studio shoots. Now if only the camera manufacturers would wake up and build fast wireless tethering right into these expensive camera bodies (or at least the battery grips) this breaking the usb port, tripping over the cable, stuff would be a thing of the past.


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It's time for Photoshop World! It's this week in Las Vegas and I'll be teaching once again at this year's show. I've added two new classes and for whatever reason they didn't make the web schedule (hoping to get them corrected as we speak) I've also updated the information for my Intro InDesign & Facebook classes too.

  • Introduction to Adobe InDesign CS 5.5 
  • Creating Interactive Portfolios for iPad, Android & Blackberry Tablets in InDesign CS5.5 – NEW
  • Why you should be on Facebook (will talk Google+ too) Updated
  • Using the iPad in a Photography Workflow – NEW (this class replaces my Importing Images into Lightroom class that's incorrectly listed on the schedule)

Don't forget to see me on the show floor as well. I have sessions scheduled in the Adobe booth as well as partner booths such as Westcott and Manfrotto. 

See you this week and if you have an iOS device don't forget to grab the free PSW App here from the iTunes

Follow Me on Twitter, Add me on Google+ and Like me on Facebook for my live and up to the minute show updates!

 

Happy Labor Day!

   

I just wanted to take a moment and update you on two things. First off I'm enjoying my time off and having a ball with my photography hobby. As I stated in my "I'm on Sabbatical" post, I'm in the process of moving into a new larger studio and for the most par the move is complete. I'm thrilled with the way everything turned out and although at times it felt like "work", I am enjoying the break from my day job "work". :) With that said, I updated my Photography website with pics of the new studio AND a NEW Portfolio look/template.

 

The Turning Gate Horizon CE Plug-in

I wrote a post a while back about using The Turning Gate (TTG) Lightroom Plug-ins to generate and update my website completely from within Adobe Lightroom 3. While I dabble in web work with my day job, I'm not a web guy and I don't have one on staff either. This means that I either have to do the work myself or pay someone each time. While I certainly see the value in paying a pro (like Erik who designed my blog templates), when it comes to my photography website I need the ability to update it as frequently as I want to. This means doing the updating myself. That's why I'm glad that The Turning Gate plug-ins exist. 

The New Horizon CE Plug-in is what I'm now using for the Portfolio pages. I first saw this "scrolling" kind of web gallery on Scott Kelby's site and back then Scott did a post on how his was created by the very talented "RC Concepcion". While Scott's site is great, I don't have an "RC" on staff :) . At first I wasn't sure that I would like the Horizon plug-in. It was just so different from the ones I've used in the past in terms of navigation being a simple scroll bar. However, after I loaded my images in and tested it I got used to it right away. Also it's important to me that my site work on mobile devices like smartphones, iPads, iPhones and other tablets. The Horizon CE Plug-in generated pages are mobile compatible and use the device's built-in scrolling capabilities. This means no need for Javascript or plugins when viewed on non-desktop browsers. 

While my old TTG plug-ins worked both on the desktop and on mobile devices, I was using the AutoViewer galleries for desktop viewing and they are Flash based. I liked the way they worked, but it was a two step process to update them. I'd first have to export the container/mobile gallery and then the AutoViewer gallery. With the Horizon CE plug-in I only have to do one export for each gallery and replacing it is as easy as doing another export with new pics. 

Check out The Turning Gate Lightroom Plug-ins here. Thanks again Matthew for making my life a little easier.

The Plug-ins That Created My Site:

TTG Pages CE, TTG Stage CE, TTG Auto Index & TTG Horizon CE

 

The New Studio

Like I said, I'm having a blast now that I get to use the studio. Above is a production shot of the Westcott Spiderlite TD6 and the 54"x72" LARGE shallow softbox.

You can check out the Studio pics and my updated photography website here.

When I shoot in studio I'm usually shooting tethered to Lightroom 3 99% of the time. While my 15" MacBook Pro has been adequate all these years, I decided to go with an external display in my new studio. The question was, "which one do I get?" Right about the time I asked this question, I saw that Dell (yep, Dell) had just introduced a NEW 24" Display. You might be asking why would I get a Dell monitor for my Mac? Good question. The main attraction for me to this particular display is that it "rotates!" The display can be used in either portrait or landscape orientation. 

It has all the latest bells and whistles including: LED, IPS (in-plane switching) for wider viewing angles, Display Port, USB Hub, DVI, Adjustable Height and a 3 Year Warranty. 

For those of you old enough to remember the Radius Pivot Displays, you'll probably remember that back then the display would auto adjust based on the rotation and the driver on your computer. In the case of this new Dell there is no such magic for the Mac. However, manual display rotation is built-in to Mac OS X's Display Preferences. While it would be a slight pain to have to manually switch this setting every few seconds I find that I leave it in Portrait "most" of the time. If I shoot a wide shot, it displays it, but it just doesn't fill the screen. If i'm going to be shooting a long series of landscape oriented images then I'd make the System Pref adjustment.

 

Lightroom's 2nd Display Feature

Lightroom 3 natively supports dual displays. This means that I can set the second display to Loupe view, full screen with no overlays. It works GREAT!  This also means that I DON'T mirror the displays. I treat the Dell as a second display/virtual desktop.

 

Why not just shoot to an HDTV?

That question comes up a lot and I've tried it. My Nikon DSLRs have HDMI out and I could plug right into a nice big HDTV. The problem I find with this mostly is that the colors, brightness, contrast, etc. don't look the same. This means that after doing a shoot and importing the images into your computer they could look really different than what you adjusted for during the shoot. Since my shots are going to end up on a computer more often than a TV, I'd rather tether into my computer to begin with.

 

Dell? Really?

If you know me, you know that I've rarely if ever mentioned Dell on my blog (or anywhere else), but this time I gotta say that I'm currently a happy Dell customer. I'm actually surprised with all the accelerometer tech that Apple uses in iDevices that they haven't done this with their computer displays. Oh well, for now "it's a Dell."

You can check out the Dell UltraSharp U2412M "W Display here.

I also bought this Display Port to Mini Display Port cable. Of course after I ordered it I remembered that monoprice.com probably has it cheaper and they do.

  

I got my first Canvas Gallery Wraps done back in 2009 (see my post here) from MPIX. The quality was great and I LOVE seeing my landscape shots on canvas. The only problem was the cost. They are not cheap, but they are GREAT! About a year later I got an email from CafePress.com (yes the t-shirt people) that they also do Canvas Gallery Wraps and that they were having a 50% off sale to get the word out. I jumped on this as opportunity to get some more done and to go larger in size. Once again I was happy with the results. A few months later they had a 60% sale and yes I ordered more and bigger ones! At home I was set. I pretty much had all the Canvas up in my house that I wanted. I also saved a bundle with CafePress.

I recently moved into a New Photographic/Video Studio and there are many many many walls to fill :) . I was waiting and waiting for CafePress to have another sale. In the meantime I was getting all my regular prints done at my local Costco. Their prices can't be beat and I developed a Lightroom workflow that achieved the best results for color/quality. About a week ago I was sitting there getting some more shots ready to upload to Costco and I was once again reminded that I need to get some Canvas done, but after paying 50% off and 60% off regular prices I couldn't bring myself to order at regular prices.I was thinking, boy it sure would be great if Costco did…..wait a minute….do they?… no way…. I can't look….OMG YES! They do Canvas too!

 

Great Everyday Prices on Canvas

I was very pleasantly surprised to see that Costco does Canvas Gallery Wraps too! I couldn't wait to upload some landscape photos and give them a try. Their prices were on par with CafePress' sale prices and that made me very happy. It meant that I could go larger and order more prints for my studio. Costco doesn't print these in their local stores. You can have them shipped from their processing center either to your local store or directly to your home/office. I had them shipped to my store. They arrived about 5-6 days later (quoted times are 5-10 days) and I couldn't tell the difference between theirs and the more expensive ones I'd had done! Score! Yay!

I went with the 24×32 size. Next I'll try the 16×48 for panos!

 

What about color matching?

Here's where I have to confess that I've never been big on color management workflows. Don't get me wrong, I think it's very important to have your print match what you saw on screen or in your mind. It's just that it has never been the most critical thing to me personally. As long as the print is "very close" to what I think it should be, I'm good. With that said, I was sharing this story with another photographer friend of mine and he was telling me how he's had hit and miss results with Costco prints. He said that one of his jobs was a disaster because it was for a corporate client and their blue had to be "their blue." In that case I would absolutely work with a lab that's going to make me/my client happy and look good no matter what it costs. Costco does give you the ability to download color profiles. The odd thing is that in the past I've actually had more problems using them than not using them. In a couple of cases using the profile for my local store resulted in prints that were not just a little off, but WAY OFF. It looked as if someone hit Invert in Photoshop on the colors. All the prints that are currently on my studio wall were done at Costco simply using the Adobe RGB color space and they look fine to me. Same goes for the Canvas. Every now and then I'll get a print that's a little darker than I think it should be, but I get that from time to time no matter where I print.

Check them out at costcophotocenter.com

Although I really like WordPress as a blogging engine, I find the process of uploading and adding images to a post to be a bit archaic. You can style your blog just about any way you want using CSS. You can add video pretty easily from a variety of different sources. However, when it comes to adding images the process is still pretty painful and the one thing I dislike the most when it comes to writing a post. While you can upload multiple images at once using the built-in Flash based uploader, laying the images out one-by-one is tedious. You have to bring up the Import dialog each time. I found the Faster Image Insert WordPress Plugin and that has been a great productivity booster, but alas the process still requires that you prep the images first manually before you even bring up the uploader in the first place. That's where the LR/Blog plugin comes in.

 

LR/Blog is a Lightroom Plugin for Bloggers

With the LR/Blog Plug-in I can EASILY upload multiple images from Adobe Photoshop Lightroom to my blog so that they are ready to insert into my post, directly from Lightroom. Once you install the (Lightroom) plug-in and configure it for your blog (including image dimensions, quality settings, etc.) you can then upload any images from any catalog directly to your blog. If the original images are in RAW/DNG, which most of mine are, the plug-in will do the temporary export to JPG first and upload the JPGs. This is MUCH FASTER than exporting out the JPGs first, then going to the browser and choosing them to upload. Of course it can also use your custom watermarks to watermark the images. Since it's an full fledged Export plug-in you can create one or more Export presets so that you can have a variety of different image export options at a click. Perhaps you like to upload both a thumbnail size and a larger size for people to click on. The plug-in even gives you the option of creating a post at the same time you do the export. With this option the images are not only uploaded, but they are also laid out via your custom HTML template into your post at the same time. Another option in this mode is the ability to insert captions under (or above) your photos from your metadata that you inserted while in Lightroom. 

While I don't always have the images that are going into my post in Lightroom, when I do I always use this plug-in to get them to my blog.

You can check out the LR/Blog plug-in here. It's donationware, which I happily donated to the developer!

 

In this episode of the Adobe Creative Suite Video Podcast I'll show you 5 Keyboard Shortcuts for Lightroom that will speed up your day to day workflow!

See more of my Adobe Creative Suite Videos on my Adobe Creative Suite Podcast and get the App here. It features EXCLUSIVE CONTENT that no one else gets to see. This episode not only has a BONUS CLIP that is available only in the App, but it also has an EXCLUSIVE PDF with tons of Lightroom Keyboard Shortcuts:

Learn Adobe Creative Suite with Terry White - Wizzard Media

 

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