Westcott just posted the PDF version of their NEW 2011 catalog here.
photo from one of my InDesign sessions by Jason Lykins
I had a great Photoshop World! While no one would disagree that the weather could have been better without all the rain, the conference continued on and people were generally upbeat. Hey, if it's raining outside, you might as well be inside learning stuff. All four of my conference track classes were well attended and people seemed happy with what they were learning. It's always great being in front of "real users" of our (Adobe) products and getting feedback, even if it's not always praise.
photo by Jason Lykins
I had some good one-on-many time with this intimate setting in the Adobe Booth. I got a chance to highlight some of my favorite features of Adobe Creative Suite 5.
photo by Jason Lykins
I also got a chance to show some tips and tricks using the Wacom Intuos 4 tablet while using a Cintiq 21 inch as my display (Heaven) and Photoshop CS5 in the Wacom Booth.
photos by Jason Lykins
I had a couple of short sessions on the show floor shooting live and showing various lighting setups. My first session was at the Westcott Booth and showing a couple of different lighting techniques with the NEW Spiderlite TD6's. I love doing these sessions with continuous lighting because once I set it up and take a couple of shots, people can walk up and just start shooting.
One of things I look forward to every year is the NEW Westcott Catalog! I've been taking my photography more and more seriously over the past couple of years and when a well known company chooses to use one of my images to represent their products, that's a big thing for me. I got a chance to pick up a copy (ok several copies) of the new Westcott Lighting Solutions Catalog here at Photoshop World. Needless to say that I was deeply honored to have not just one image in the new book, but six of my shots featured. Wow! The crappy iPhone shot of the catalog above doesn't do this book justice. Stepping aside from looking at my own images for a minute, this is by far the best version of their catalog yet. There are not only tons of great images from some of the top photographers in the world, but also the book has a new format, layout and it just looks awesome overall!
The NEW catalog is not yet up on their website in PDF, but as soon as it is you'll be able to grab a copy here. If you are here at Photoshop World this week be sure to stop by their booth and pick up a copy.
Don't forget to check out my shots from the Photoshop World Project Runway Keynote.
I was also very thrilled to see my images on their booth too! Woot!
I also have to thank my great models: Aferdita, Cecilia, Lauren, Tika and makeup artist Renata.
Launching a new Photoshop Feedback Site. Check it out!
- Posted using BlogPress from my iPad 2
Location:Universal Blvd,Orlando,United States
If you're a photographer and you own an iPad you probably already know the benefits of showing off your photos on that nice 10" display. However, chances are at some point you also had a wish to get your images to your iPad either directly from your camera (tethering) or from your computer wirelessly (not having to sync them over via iTunes – even typing it sounds so outdated). There are ways to do it! I'm at Photoshop World this week and I got a chance to try a new combination (new to me anyway) of the latest Eye-Fi Pro X2 SD card and a cool App called Shuttersnitch for iOS. I reviewed the first Eye-Fi a little over 3 years ago. While the technology worked backed then, and like I said in my review at the time, I really didn't have any use for it. Back then the idea was this card would wirelessly and automatically transfer your images to your computer or a photo sharing site. First of all I have no interest in uploading images to a photo sharing site directly from my camera without some post processing. Secondly even the transfer to the computer was way too slow. You might as well just pop the card in your card reader and transfer them over in a fraction of the time. Lastly back then the card didn't support RAW files. Yep, it was a non-starter for me. After I did the review I never touched the card again.
As with most technologies, they tend to improve over time. While I still have very little interest in the Eye-Fi cards for wireless transfer to my computer (still a bit too slow) or uploading directly to a photo sharing site, I'm intrigued by the thought of shooing wirelessly into my iPad. While there are other tethering solutions for the iPad out there, they tend to all involve using a computer in the middle of the process to tether your camera to and then transmit the images via WiFi to your iPad. This solution doesn't require a computer beyond the initial setup of the Eye-Fi Card itself.
First you need an Eye-Fi Card. I went with the Eye-Fi Pro X2 8GB card because it's the only that does support RAW files. If you don't care about shooting in RAW then you can use one of the less expensive cards. The card comes with a card reader and the software you'll need to install for your Mac/PC to set the card up. The Eye-Fi card has its own built-in WiFi chip and this latest model supports 802.11n which helps out a lot on the speed! After configuring the card to join your wireless network, you need to disable all other image transfer options. In other words, just setup the card to join your hotspot, but NOT to transfer images to your computer. I shot with my Nikon D7000. For a mobile hotspot, I used my UNLOCKED GSM MiFi 2372 hotspot. It should work with just about any WiFi network as long as both the card and iPad are on the same network. It also should work with the Personal Hotspot feature of the iPhone.
The Shuttersnitch App is the App you'll need on your iPad to talk with your Eye-Fi card. While this App does have native Eye-Fi support built-in, it's not limited to Eye-Fi cards. It will work with other wireless camera solutions. I hear that David Ziser and his sidekick Damie Tepe are running around here at Photoshop World somewhere showing this with the Canon Wireless Transmitter (instead of the Eye-Fi Card) and getting some SPEEDY transfers (like 1.4 seconds of FINE JPGs) directly, sans the mobile hotspot (probably in an AdHoc mode). I've got to check him out and see how he's doing this?
Once you log into your Eye-Fi account via the App it sends the secret signal over to your selected Eye-Fi card to pair the two together. Now when both your iPad and your Eye-Fi card in your camera are on the same network, your images will automatically transfer over to the Shuttersnitch App so that you can view them right on your iOS device.
See my Shuttersnitch review here or you can just go ahead and buy the App here from the
This was the big question I had that I couldn't seem to find an answer on, so of course I had to try it myself. It's good, but not great! As you might expect RAW files are going to be slowest. It could take anywhere from 20-30 seconds to transfer a 14MP RAW file from my D7000. The story gets much better if you shoot JPEG. When I shoot JPEG I get anywhere from 9-13 seconds depending on the JPEG quality setting I use. Also keep in mind that the images are still on the card too for transferring to your computer later. An even better workflow for my Nikon D7000 is to shoot JPEG BASIC to the Eye-Fi card for the fastest transfer to the iPad and RAW to the second SD card slot. Finally! A reason for me to like RAW+JPEG shooting. LOL, Thanks Jason for the idea.
Here's an idea of how it works:
Eye-Fi cards have always been aimed at consumers and like it or not SD is the predominant format in consumer cameras. However, don't fret my CF shooting pro friends. With this adapter you can can stick an SD Eye-Fi card in your CF based camera. NOTE: This Adapter does NOT work with the newest X2 cards and also keep in mind that this is NOT officially supported. You do so at your own risk!
If you've got an iPad and an SD based camera, the Eye-Fi Pro X2 card plus the Shuttersnitch App is a nice way to go. If you have a CF based DSLR camera, then you might want to consider other wireless transmitter options.
It’s that time of year again and I’m happy once again to be teaching and presenting at Photoshop World Orlando this week. As a result my blogging schedule will be all out of whack and therefore I’ll be blogging on the go and from different devices.
Looking forward to seeing you if you’re here. Let’s have fun!
Location:Convention Way,Orlando,United States
In this episode I'll show you how to remove unwanted noise from the audio track of your video. Using Adobe Soundbooth CS5 I can roundtrip the video over, take out the annoying hum and bring it right back to the timeline in a non-destructive manner.
See more of my Adobe Creative Suite Videos on my Adobe Creative Suite Podcast and get the App here. It features EXCLUSIVE CONTENT that no one else gets to see. This episode has a BONUS CLIP that is available only in the App:
There is no easier lighting setup to use than the Westcott Spiderlite TD5's. While these lights are great, everyone that uses them says the same thing. "I wish they were brighter." In other words we all wish they output a little more light. Westcott has answered our wishes with the new Spiderlite TD6's. Instead of 5 daylight balanced fluorescent bulbs you not get to use 6. This means 1200W of output instead of 900W of output on the TD5s and that makes all the difference in the world. In fact for everything but their giant softbox, a 6 foot shallow rectangle softbox <-this softbox is amazing though, I can now shoot at 200 ISO as opposed to 400 ISO.
They also made some additional and welcomed improvements. The switches on the back and now more high quality and professional looking. They also added a much needed cord switch to turn the entire unit on/off without having to climb up on a ladder when you have the lights mounted high. Speaking of the cord it's longer too. Basically the TD6 is improves over the TD5 in just about every way possible.
Although I love my strobes, I'm still amazed by the results I get with the continuous lighting the Spiderlites. Life will only be better with the enhancements on the TD6's. They don't get hot and are great to use in workshops/classes where you will have multiple shooters. If you're doing product photography they rock for that too! Thanks Westcott!
You can get a single Spiderlite TD6 here for about $420. My recommendation is that if you have Spiderlites already, then perhaps one TD6 to replace your main TD5. Otherwise, I would recommend this kit if you're starting out. I use a setup like this one for most of the portrait work I do!
It's almost time for Photoshop World! It's next week and I'll be teaching at this year's East Coast show. My classes are the same as they were in Vegas last fall although I'll be adding a few new twists to my Creating Interactive Portfolios Class. I'll also have some updated information for my Facebook class too.
Don't forget to see me on the show floor as well. I have sessions scheduled in the Adobe booth as well as partner booths such as Westcott, Elinchrom, and Wacom.
I've had a pack of ExpoImaging Rogue FlashBenders sitting around for a while now. I decided to take them with me to my last workshop at Precision-Camera University. I figured I'd kill two birds with one stone. This way I could teach the class on how to use studio lighting with the NEW Westcott Spiderlite TD6's, but also spend a few minutes showing what I travel with as a very portable speedlight lighting kit. Normally I travel with a Nikon SB-900 speedlight, Westcott shoot-through umbrella and small light stand for off camera flash. I had these elements with me in my carryon and showed the class how to use the umbrella. Then I broke out my Rouge FlashBenders by the same company that gave us ExpoDisc for white balancing our DSLRs.
They worked way better than I imagined they would. You get 3 FlashBenders in a pack and they are designed to velcro right onto your speedlight. You can then "bend" them to aim the light any way you want. Using the configuration above, I got this shot:
ISO 200, 85mm (Nikon 85mm f/1/4 Lens), f/1.4, 1/125 sec
Next I decided to create a more dramatic look (not something I would do in a beauty setup), but using the medium sized one in a snoot configuration. With it I captured this shot.
ISO 400, 102mm (Nikon VR II 70-200 f/2.8 Lens), f/5.0, 1/80sec
The beauty of these is that they are completely flat when not in use and EASILY fit in the outer pocket of my carryon suitcase. Sure I'll take a giant softbox any day I can get one, but in situations when I'm on the road and taking portraits or lighting other scenes with my speedlights, these are AWESOME!